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<p class="edu_sub_top_txt_l">Should We Ban Children From Entering the Entertainment Industry?</p>
<p class="edu_sub_top_txt_r">HOME > LEVEL3</p>
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"title_kr" => "어린이의 연예계 진입을 금지해야 할까요?",
"context" => "<table border="0" cellspacing="1" cellpadding="5" bgcolor="#cccccc"><tr><td bgcolor="#FFFFFF" align="center" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="3"><tr><td valign="top"><div align="left"><img src="http://f1.timescore.co.kr/teentimes/newspaper/img/1217_debate_01.jpg" width="200" align="right" alt="0" style="padding:10px;" class="s_newsimg_over" title="이미지를 클릭하시면 확대 됩니다" /><strong>What’s This About?</strong><br /><br />The employment of children in the entertainment industry is a highly controversial topic, one that raises critical questions about ethics, child welfare, and creative freedom. With the growing public awareness around the prevalence of child exploitation within this industry, more are asking if children should not be allowed to enter it in the first place. The debaters present two different perspectives on this issue.<br /><br /><br />Constructive<br /><br />Pro Finn<br /><br />We must ban children from entering the entertainment industry to protect their well-being. The entertainment industry often places immense pressure on child performers, exposing them to grueling schedules, high expectations, and relentless public scrutiny. Being unequipped or unprepared to deal with such stresses and strains, many of these young performers fall victim to anxiety, depression, or burnout. For example, former child stars like Macaulay Culkin and Lindsay Lohan have openly shared struggles with mental health, partly attributed to the pressures they faced during their formative years. Being deprived of privacy and a chance to grow up in a stable environment can also negatively affect children’s self-esteem and sense of identity. These issues highlight how the industry’s demands can rob a child of a normal childhood and cause lasting psychological harm.<br /><br /><br />Con Alice<br /><br />Banning children from the entertainment industry would unfairly stifle opportunities for young talent. Many children enter the entertainment world because they possess genuine talent and passion for acting, singing, or performing. Iconic actors like Jodie Foster and Daniel Radcliffe began their careers as children and have spoken about the positive impact these experiences had on their lives. Banning children from the industry would deny them the chance to develop their skills, pursue their dreams, and contribute meaningfully to the arts. Additionally, many regulations are already in place to protect child actors. Laws like the California Child Actor’s Bill ensure children retain a portion of their earnings, while strict labor laws dictate work hours, education requirements, and on-set conditions. With proper enforcement and oversight, children can work in the industry without compromising their well-being.<br /><br /><br />Rebuttal<br /><br />Pro Finn<br /><br />Firstly, a child’s ability to provide informed consent is limited. Minors cannot fully grasp the potential lifelong impact of entering the workforce or accepting a legally binding contract. And the legal guardians they rely on to act on their behalf may prioritize financial gain and fame over their interests. It’s not unusual for children to enter the industry at the behest of parents trying to live their dream careers through them. Secondly, the existing labor laws and measures can’t prevent exploitation entirely. For example, the California Child Actor’s Bill only protects 15 percent of the child performers’ earnings, leaving the remaining 85 percent for the guardians to manage or abuse. The entertainment industry also has a history of exposing young performers to uncomfortable and inappropriate situations, leaving them traumatized and emotionally drained.<br /><br /><br />Con Alice<br /><br />Be that as it may, an outright ban on child performers is impossible as they have become too entrenched in the entertainment industry. The film industry, for example, often portrays family-centric stories or narratives involving young characters. Without child actors, these stories would lose authenticity and emotional depth. Think of Henry Thomas in E.T. the Extra-Terrestrial or Millie Bobby Brown in Stranger Things. These productions would not have resonated as deeply with audiences without the genuine emotions and relatability these young actors brought to the screen. Moreover, this ban ignores the possibility of positive experiences. Many child actors have credited their careers with fostering confidence, discipline, and lifelong skills. As such, rather than a ban, we should focus on strengthening protections, educating families, and creating nurturing environments on sets.<br /><br /><br />Judge’s Comments<br /><br />The debate on whether the entertainment industry should stop employing child performers hinges on balancing their protection and well-being with the industry’s creative needs and opportunities. Improved safeguards and stricter enforcement of existing laws could address many concerns while allowing young talents to shine.<br /><br /></div></td></tr><tr><td valign="top"><div align="right">Yesel Kang<br>Copy Editor<br>teen/1737615446/1613367727</div></td></tr></table></td></tr></table>",
"context_text" => "<strong>What’s This About?</strong>
The employment of children in the entertainment industry is a highly controversial topic, one that raises critical questions about ethics, child welfare, and creative freedom. With the growing public awareness around the prevalence of child exploitation within this industry, more are asking if children should not be allowed to enter it in the first place. The debaters present two different perspectives on this issue.
Constructive
Pro Finn
We must ban children from entering the entertainment industry to protect their well-being. The entertainment industry often places immense pressure on child performers, exposing them to grueling schedules, high expectations, and relentless public scrutiny. Being unequipped or unprepared to deal with such stresses and strains, many of these young performers fall victim to anxiety, depression, or burnout. For example, former child stars like Macaulay Culkin and Lindsay Lohan have openly shared struggles with mental health, partly attributed to the pressures they faced during their formative years. Being deprived of privacy and a chance to grow up in a stable environment can also negatively affect children’s self-esteem and sense of identity. These issues highlight how the industry’s demands can rob a child of a normal childhood and cause lasting psychological harm.
Con Alice
Banning children from the entertainment industry would unfairly stifle opportunities for young talent. Many children enter the entertainment world because they possess genuine talent and passion for acting, singing, or performing. Iconic actors like Jodie Foster and Daniel Radcliffe began their careers as children and have spoken about the positive impact these experiences had on their lives. Banning children from the industry would deny them the chance to develop their skills, pursue their dreams, and contribute meaningfully to the arts. Additionally, many regulations are already in place to protect child actors. Laws like the California Child Actor’s Bill ensure children retain a portion of their earnings, while strict labor laws dictate work hours, education requirements, and on-set conditions. With proper enforcement and oversight, children can work in the industry without compromising their well-being.
Rebuttal
Pro Finn
Firstly, a child’s ability to provide informed consent is limited. Minors cannot fully grasp the potential lifelong impact of entering the workforce or accepting a legally binding contract. And the legal guardians they rely on to act on their behalf may prioritize financial gain and fame over their interests. It’s not unusual for children to enter the industry at the behest of parents trying to live their dream careers through them. Secondly, the existing labor laws and measures can’t prevent exploitation entirely. For example, the California Child Actor’s Bill only protects 15 percent of the child performers’ earnings, leaving the remaining 85 percent for the guardians to manage or abuse. The entertainment industry also has a history of exposing young performers to uncomfortable and inappropriate situations, leaving them traumatized and emotionally drained.
Con Alice
Be that as it may, an outright ban on child performers is impossible as they have become too entrenched in the entertainment industry. The film industry, for example, often portrays family-centric stories or narratives involving young characters. Without child actors, these stories would lose authenticity and emotional depth. Think of Henry Thomas in E.T. the Extra-Terrestrial or Millie Bobby Brown in Stranger Things. These productions would not have resonated as deeply with audiences without the genuine emotions and relatability these young actors brought to the screen. Moreover, this ban ignores the possibility of positive experiences. Many child actors have credited their careers with fostering confidence, discipline, and lifelong skills. As such, rather than a ban, we should focus on strengthening protections, educating families, and creating nurturing environments on sets.
Judge’s Comments
The debate on whether the entertainment industry should stop employing child performers hinges on balancing their protection and well-being with the industry’s creative needs and opportunities. Improved safeguards and stricter enforcement of existing laws could address many concerns while allowing young talents to shine.
",
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"context_kr" => "무엇에 대한 내용인가?
연예계에 아동을 고용하는 것은 윤리, 아동 복지, 그리고 창의적 자유에 대한 비판적인 질문을 제기하는 매우 논란의 여지가 많은 주제입니다.
이 업계 내에서 아동 착취의 만연에 대한 대중의 인식이 높아짐에 따라, 더 많은 사람들이 처음부터 아동이 이 산업에 진입하도록 허용해서는 안 되는지 대해 묻고 있습니다.
토론자들은 이 문제에 대해 두 가지 다른 관점을 제시합니다.
기초
찬성 핀
우리는 어린이들의 행복을 보호하기 위해 연예계에 진출하는 것을 금지해야 합니다
연예계는 종종 아역 출연자들에게 엄청난 압박을 가하며, 녹초로 만드는 스케줄, 높은 기대치, 그리고 끊임없는 대중의 정밀 조사에 그들을 노출시킵니다
이러한 스트레스와 긴장을 다룰 준비가 되어 있지 않거나 준비가 되지 않은 많은 어린 연기자는 불안, 우울증 또는 소진의 희생자가 됩니다.
예를 들어, 맥컬리 컬킨과 린지 로한 같은 전 아역 스타들은 정신 건강에 대한 어려움을 공개적으로 공유해왔는데, 이는 부분적으로는 그들의 발달에 중요한 기간 동안 직면했던 압박감에 기인합니다.
사생활과 안정적인 환경에서 성장할 기회를 박탈당하는 것은 또한 어린이의 자존감과 정체성 감각에 부정적인 영향을 미칠 수 있습니다.
이러한 문제는 그 업계의 요구가 어떻게 아이에게 정상적인 어린 시절을 빼앗기고 지속적인 심리적 피해를 줄 수 있는지를 강조합니다.
반대 앨리스
어린이를 연예계에서 금지하는 것은 젊은 인재의 기회를 부당하게 억압할 수 있습니다.
많은 어린이가 연기, 노래, 그리고 공연에 대한 진정한 재능과 열정을 가지고 있기 때문에 연예계에 진출합니다.
조디 포스터, 다니엘 래드클리프와 같은 상징적인 배우들은 어린 시절부터 경력을 시작했으며 이러한 경험이 그들의 삶에 미친 긍정적인 영향에 대해 이야기해 왔습니다.
그 업계에서 어린이들을 금지하면 아이들이 기술을 개발하고, 꿈을 추구하고, 그리고 예술에 의미 있게 기여할 기회를 박탈하는 것입니다.
게다가, 많은 규정이 이미 아동 배우들을 보호하기 위해 시행되고 있습니다.
엄격한 노동법은 근무 시간, 교육 요건, 그리고 현장 조건을 규정하는 반면, 캘리포니아 아역 배우 법안과 같은 법률은 어린이가 수입의 일부를 유지하도록 보장합니다.
적절한 시행과 감독을 통해, 어린이들은 그들의 행복을 해치지 않고 그 업계에서 일할 수 있습니다.
반론
찬성 핀
첫째, 아동이 정보에 입각한 동의를 제공할 수 있는 능력은 제한적입니다.
미성년자들은 직장에 들어가거나 법적으로 구속력이 있는 계약을 수락하는 것의 평생에 미치는 잠재적 영향을 완전히 이해할 수 없습니다.
그리고 그들을 대신하여 행동하는 법적 보호자는 그들의 이익보다 금전적 이익과 명성을 우선시할 수 있습니다.
자녀를 통해 꿈에 그리던 직업을 가지려는 부모의 강요에 따라 자녀가 업계에 진출하는 것은 드문 일이 아닙니다.
둘째, 기존의 노동법과 조치만으로는 착취를 완전히 막을 수 없습니다
예를 들어, 캘리포니아 아역 배우 법안은 아역 출연자의 수입 중 15 퍼센트만 보호하고 나머지 85 퍼센트는 보호자가 관리하거나 남용하도록 둡니다.
연예계에서도 또한 어린 연기자들을 불편하고 부적절한 상황에 노출시켜 정신적 외상을 초래하며 정서적으로 지치게 만든 역사가 있습니다.
반대 앨리스
그러함에도 불구하고, 그들은 엔터테인먼트 산업에 너무 단단하게 자리 잡고 있기 때문에, 아동 연기자에 대한 전면적인 금지는 불가능합니다.
예를 들어, 영화산업에서는 종종 가족 중심의 이야기나 어린 캐릭터가 등장하는 이야기들을 묘사합니다.
아역 배우가 없다면, 이러한 이야기들은 진정성과 감정적 깊이를 잃게 될 것입니다.
‘이티(E.T. the Extra-Terrestrial)’의 헨리 토마스나 ‘기묘한 이야기(Stranger Things)’의 밀리 바비 브라운을 생각해 보세요.
이러한 작품들은 젊은 배우들이 스크린에 가져온 진정한 감정과 공감대가 없었다면 관객들에게 깊은 반향을 불러 일으키지 못했을 것입니다.
더구나, 이번 금지 조치는 긍정적인 경험의 가능성을 무시한 것입니다.
많은 아역 배우들이 자신의 경력을 자신감, 규율, 평생 기술을 기르는 것으로 인정했습니다.
따라서, 금지 조치보다는, 우리는 보호 강화, 가족 교육, 그리고 촬영장 환경 조성에 집중해야 합니다.
심사위원의 총평
연예계가 아역 출연자의 고용을 중단해야 하는지에 대한 논쟁은 그들의 보호와 복지를 업계의 창의적인 필요와 기회와 균형을 맞추는 데 달려 있습니다.
기존 법률의 개선된 안전장치와 엄격한 집행은 많은 우려를 해결하는 동시에 젊은 인재들이 빛을 발할 수 있도록 할 수 있습니다.
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4. Why does Rebuttal Con Alice emphasize the need for nurturing environments on set?<br>
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4. If you were in charge of creating new protections for child performers, what would you prioritize?<br>
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View::_render() - CORE/cake-1.3.18/libs/view/view.php, line 736
View::render() - CORE/cake-1.3.18/libs/view/view.php, line 431
Controller::render() - CORE/cake-1.3.18/libs/controller/controller.php, line 909
Dispatcher::_invoke() - CORE/cake-1.3.18/dispatcher.php, line 208
Dispatcher::dispatch() - CORE/cake-1.3.18/dispatcher.php, line 172
[main] - APP/webroot/index.php, line 86</pre></div></pre>/Advanced.Section:<pre class="cake-debug"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr2-trace').style.display = (document.getElementById('cakeErr2-trace').style.display == 'none' ? '' : 'none');"><b>Notice</b> (8)</a>: Undefined index: Advanced.Section [<b>APP/views/advanced/news.ctp</b>, line <b>29</b>]<div id="cakeErr2-trace" class="cake-stack-trace" style="display: none;"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr2-code').style.display = (document.getElementById('cakeErr2-code').style.display == 'none' ? '' : 'none')">Code</a> | <a href="javascript:void(0);" onclick="document.getElementById('cakeErr2-context').style.display = (document.getElementById('cakeErr2-context').style.display == 'none' ? '' : 'none')">Context</a><div id="cakeErr2-code" class="cake-code-dump" style="display: none;"><pre><code><span style="color: #000000"></span></code>
<code><span style="color: #000000"> if (Configure::read() > 0) {</span></code>
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"context" => "<table border="0" cellspacing="1" cellpadding="5" bgcolor="#cccccc"><tr><td bgcolor="#FFFFFF" align="center" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="3"><tr><td valign="top"><div align="left"><img src="http://f1.timescore.co.kr/teentimes/newspaper/img/1217_debate_01.jpg" width="200" align="right" alt="0" style="padding:10px;" class="s_newsimg_over" title="이미지를 클릭하시면 확대 됩니다" /><strong>What’s This About?</strong><br /><br />The employment of children in the entertainment industry is a highly controversial topic, one that raises critical questions about ethics, child welfare, and creative freedom. With the growing public awareness around the prevalence of child exploitation within this industry, more are asking if children should not be allowed to enter it in the first place. The debaters present two different perspectives on this issue.<br /><br /><br />Constructive<br /><br />Pro Finn<br /><br />We must ban children from entering the entertainment industry to protect their well-being. The entertainment industry often places immense pressure on child performers, exposing them to grueling schedules, high expectations, and relentless public scrutiny. Being unequipped or unprepared to deal with such stresses and strains, many of these young performers fall victim to anxiety, depression, or burnout. For example, former child stars like Macaulay Culkin and Lindsay Lohan have openly shared struggles with mental health, partly attributed to the pressures they faced during their formative years. Being deprived of privacy and a chance to grow up in a stable environment can also negatively affect children’s self-esteem and sense of identity. These issues highlight how the industry’s demands can rob a child of a normal childhood and cause lasting psychological harm.<br /><br /><br />Con Alice<br /><br />Banning children from the entertainment industry would unfairly stifle opportunities for young talent. Many children enter the entertainment world because they possess genuine talent and passion for acting, singing, or performing. Iconic actors like Jodie Foster and Daniel Radcliffe began their careers as children and have spoken about the positive impact these experiences had on their lives. Banning children from the industry would deny them the chance to develop their skills, pursue their dreams, and contribute meaningfully to the arts. Additionally, many regulations are already in place to protect child actors. Laws like the California Child Actor’s Bill ensure children retain a portion of their earnings, while strict labor laws dictate work hours, education requirements, and on-set conditions. With proper enforcement and oversight, children can work in the industry without compromising their well-being.<br /><br /><br />Rebuttal<br /><br />Pro Finn<br /><br />Firstly, a child’s ability to provide informed consent is limited. Minors cannot fully grasp the potential lifelong impact of entering the workforce or accepting a legally binding contract. And the legal guardians they rely on to act on their behalf may prioritize financial gain and fame over their interests. It’s not unusual for children to enter the industry at the behest of parents trying to live their dream careers through them. Secondly, the existing labor laws and measures can’t prevent exploitation entirely. For example, the California Child Actor’s Bill only protects 15 percent of the child performers’ earnings, leaving the remaining 85 percent for the guardians to manage or abuse. The entertainment industry also has a history of exposing young performers to uncomfortable and inappropriate situations, leaving them traumatized and emotionally drained.<br /><br /><br />Con Alice<br /><br />Be that as it may, an outright ban on child performers is impossible as they have become too entrenched in the entertainment industry. The film industry, for example, often portrays family-centric stories or narratives involving young characters. Without child actors, these stories would lose authenticity and emotional depth. Think of Henry Thomas in E.T. the Extra-Terrestrial or Millie Bobby Brown in Stranger Things. These productions would not have resonated as deeply with audiences without the genuine emotions and relatability these young actors brought to the screen. Moreover, this ban ignores the possibility of positive experiences. Many child actors have credited their careers with fostering confidence, discipline, and lifelong skills. As such, rather than a ban, we should focus on strengthening protections, educating families, and creating nurturing environments on sets.<br /><br /><br />Judge’s Comments<br /><br />The debate on whether the entertainment industry should stop employing child performers hinges on balancing their protection and well-being with the industry’s creative needs and opportunities. Improved safeguards and stricter enforcement of existing laws could address many concerns while allowing young talents to shine.<br /><br /></div></td></tr><tr><td valign="top"><div align="right">Yesel Kang<br>Copy Editor<br>teen/1737615446/1613367727</div></td></tr></table></td></tr></table>",
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The employment of children in the entertainment industry is a highly controversial topic, one that raises critical questions about ethics, child welfare, and creative freedom. With the growing public awareness around the prevalence of child exploitation within this industry, more are asking if children should not be allowed to enter it in the first place. The debaters present two different perspectives on this issue.
Constructive
Pro Finn
We must ban children from entering the entertainment industry to protect their well-being. The entertainment industry often places immense pressure on child performers, exposing them to grueling schedules, high expectations, and relentless public scrutiny. Being unequipped or unprepared to deal with such stresses and strains, many of these young performers fall victim to anxiety, depression, or burnout. For example, former child stars like Macaulay Culkin and Lindsay Lohan have openly shared struggles with mental health, partly attributed to the pressures they faced during their formative years. Being deprived of privacy and a chance to grow up in a stable environment can also negatively affect children’s self-esteem and sense of identity. These issues highlight how the industry’s demands can rob a child of a normal childhood and cause lasting psychological harm.
Con Alice
Banning children from the entertainment industry would unfairly stifle opportunities for young talent. Many children enter the entertainment world because they possess genuine talent and passion for acting, singing, or performing. Iconic actors like Jodie Foster and Daniel Radcliffe began their careers as children and have spoken about the positive impact these experiences had on their lives. Banning children from the industry would deny them the chance to develop their skills, pursue their dreams, and contribute meaningfully to the arts. Additionally, many regulations are already in place to protect child actors. Laws like the California Child Actor’s Bill ensure children retain a portion of their earnings, while strict labor laws dictate work hours, education requirements, and on-set conditions. With proper enforcement and oversight, children can work in the industry without compromising their well-being.
Rebuttal
Pro Finn
Firstly, a child’s ability to provide informed consent is limited. Minors cannot fully grasp the potential lifelong impact of entering the workforce or accepting a legally binding contract. And the legal guardians they rely on to act on their behalf may prioritize financial gain and fame over their interests. It’s not unusual for children to enter the industry at the behest of parents trying to live their dream careers through them. Secondly, the existing labor laws and measures can’t prevent exploitation entirely. For example, the California Child Actor’s Bill only protects 15 percent of the child performers’ earnings, leaving the remaining 85 percent for the guardians to manage or abuse. The entertainment industry also has a history of exposing young performers to uncomfortable and inappropriate situations, leaving them traumatized and emotionally drained.
Con Alice
Be that as it may, an outright ban on child performers is impossible as they have become too entrenched in the entertainment industry. The film industry, for example, often portrays family-centric stories or narratives involving young characters. Without child actors, these stories would lose authenticity and emotional depth. Think of Henry Thomas in E.T. the Extra-Terrestrial or Millie Bobby Brown in Stranger Things. These productions would not have resonated as deeply with audiences without the genuine emotions and relatability these young actors brought to the screen. Moreover, this ban ignores the possibility of positive experiences. Many child actors have credited their careers with fostering confidence, discipline, and lifelong skills. As such, rather than a ban, we should focus on strengthening protections, educating families, and creating nurturing environments on sets.
Judge’s Comments
The debate on whether the entertainment industry should stop employing child performers hinges on balancing their protection and well-being with the industry’s creative needs and opportunities. Improved safeguards and stricter enforcement of existing laws could address many concerns while allowing young talents to shine.
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"context_kr" => "무엇에 대한 내용인가?
연예계에 아동을 고용하는 것은 윤리, 아동 복지, 그리고 창의적 자유에 대한 비판적인 질문을 제기하는 매우 논란의 여지가 많은 주제입니다.
이 업계 내에서 아동 착취의 만연에 대한 대중의 인식이 높아짐에 따라, 더 많은 사람들이 처음부터 아동이 이 산업에 진입하도록 허용해서는 안 되는지 대해 묻고 있습니다.
토론자들은 이 문제에 대해 두 가지 다른 관점을 제시합니다.
기초
찬성 핀
우리는 어린이들의 행복을 보호하기 위해 연예계에 진출하는 것을 금지해야 합니다
연예계는 종종 아역 출연자들에게 엄청난 압박을 가하며, 녹초로 만드는 스케줄, 높은 기대치, 그리고 끊임없는 대중의 정밀 조사에 그들을 노출시킵니다
이러한 스트레스와 긴장을 다룰 준비가 되어 있지 않거나 준비가 되지 않은 많은 어린 연기자는 불안, 우울증 또는 소진의 희생자가 됩니다.
예를 들어, 맥컬리 컬킨과 린지 로한 같은 전 아역 스타들은 정신 건강에 대한 어려움을 공개적으로 공유해왔는데, 이는 부분적으로는 그들의 발달에 중요한 기간 동안 직면했던 압박감에 기인합니다.
사생활과 안정적인 환경에서 성장할 기회를 박탈당하는 것은 또한 어린이의 자존감과 정체성 감각에 부정적인 영향을 미칠 수 있습니다.
이러한 문제는 그 업계의 요구가 어떻게 아이에게 정상적인 어린 시절을 빼앗기고 지속적인 심리적 피해를 줄 수 있는지를 강조합니다.
반대 앨리스
어린이를 연예계에서 금지하는 것은 젊은 인재의 기회를 부당하게 억압할 수 있습니다.
많은 어린이가 연기, 노래, 그리고 공연에 대한 진정한 재능과 열정을 가지고 있기 때문에 연예계에 진출합니다.
조디 포스터, 다니엘 래드클리프와 같은 상징적인 배우들은 어린 시절부터 경력을 시작했으며 이러한 경험이 그들의 삶에 미친 긍정적인 영향에 대해 이야기해 왔습니다.
그 업계에서 어린이들을 금지하면 아이들이 기술을 개발하고, 꿈을 추구하고, 그리고 예술에 의미 있게 기여할 기회를 박탈하는 것입니다.
게다가, 많은 규정이 이미 아동 배우들을 보호하기 위해 시행되고 있습니다.
엄격한 노동법은 근무 시간, 교육 요건, 그리고 현장 조건을 규정하는 반면, 캘리포니아 아역 배우 법안과 같은 법률은 어린이가 수입의 일부를 유지하도록 보장합니다.
적절한 시행과 감독을 통해, 어린이들은 그들의 행복을 해치지 않고 그 업계에서 일할 수 있습니다.
반론
찬성 핀
첫째, 아동이 정보에 입각한 동의를 제공할 수 있는 능력은 제한적입니다.
미성년자들은 직장에 들어가거나 법적으로 구속력이 있는 계약을 수락하는 것의 평생에 미치는 잠재적 영향을 완전히 이해할 수 없습니다.
그리고 그들을 대신하여 행동하는 법적 보호자는 그들의 이익보다 금전적 이익과 명성을 우선시할 수 있습니다.
자녀를 통해 꿈에 그리던 직업을 가지려는 부모의 강요에 따라 자녀가 업계에 진출하는 것은 드문 일이 아닙니다.
둘째, 기존의 노동법과 조치만으로는 착취를 완전히 막을 수 없습니다
예를 들어, 캘리포니아 아역 배우 법안은 아역 출연자의 수입 중 15 퍼센트만 보호하고 나머지 85 퍼센트는 보호자가 관리하거나 남용하도록 둡니다.
연예계에서도 또한 어린 연기자들을 불편하고 부적절한 상황에 노출시켜 정신적 외상을 초래하며 정서적으로 지치게 만든 역사가 있습니다.
반대 앨리스
그러함에도 불구하고, 그들은 엔터테인먼트 산업에 너무 단단하게 자리 잡고 있기 때문에, 아동 연기자에 대한 전면적인 금지는 불가능합니다.
예를 들어, 영화산업에서는 종종 가족 중심의 이야기나 어린 캐릭터가 등장하는 이야기들을 묘사합니다.
아역 배우가 없다면, 이러한 이야기들은 진정성과 감정적 깊이를 잃게 될 것입니다.
‘이티(E.T. the Extra-Terrestrial)’의 헨리 토마스나 ‘기묘한 이야기(Stranger Things)’의 밀리 바비 브라운을 생각해 보세요.
이러한 작품들은 젊은 배우들이 스크린에 가져온 진정한 감정과 공감대가 없었다면 관객들에게 깊은 반향을 불러 일으키지 못했을 것입니다.
더구나, 이번 금지 조치는 긍정적인 경험의 가능성을 무시한 것입니다.
많은 아역 배우들이 자신의 경력을 자신감, 규율, 평생 기술을 기르는 것으로 인정했습니다.
따라서, 금지 조치보다는, 우리는 보호 강화, 가족 교육, 그리고 촬영장 환경 조성에 집중해야 합니다.
심사위원의 총평
연예계가 아역 출연자의 고용을 중단해야 하는지에 대한 논쟁은 그들의 보호와 복지를 업계의 창의적인 필요와 기회와 균형을 맞추는 데 달려 있습니다.
기존 법률의 개선된 안전장치와 엄격한 집행은 많은 우려를 해결하는 동시에 젊은 인재들이 빛을 발할 수 있도록 할 수 있습니다.
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"wordtip" => "welfare 복지, 후생 / exploitation 착취 / grueling 녹초로 만드는, 엄한 / scrutiny 정밀 조사, 철저한 검토 / formative (사람 성격 등의) 형성[발달]에 중요한 / stifle 억누르다, 억압하다 / informed (특정 주제·상황에 대해) 잘[많이] 아는, 정보통인 / consent 동의[허락] / minor 미성년자 / behest 명령, 강요 / abuse 남용[오용]하다 / be that as it may 그러함에도 불구하고[그렇기는 하지만] / outright 완전한, 전면적인 / safeguard 보호[안전] 장치",
"level" => "4",
"comprehension" => "1. According to Constructive Pro Finn, how can the pressures of the entertainment industry affect a child performer’s mental health?<br>
2. According to Constructive Con Alice, what existing regulations protect child actors in the entertainment industry?<br>
3. According to Rebuttal Pro Finn, why might some parents encourage their children to join the entertainment industry, according to the passage?<br>
4. Why does Rebuttal Con Alice emphasize the need for nurturing environments on set?<br>
",
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2. Do you think a complete ban on child performers would stifle creativity and diversity in the arts? Why?<br>
3. Do you agree that exploitation in the entertainment industry is a significant concern for young performers? Why or why not?<br>
4. If you were in charge of creating new protections for child performers, what would you prioritize?<br>
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"title_kr" => "어린이의 연예계 진입을 금지해야 할까요?",
"context" => "<table border="0" cellspacing="1" cellpadding="5" bgcolor="#cccccc"><tr><td bgcolor="#FFFFFF" align="center" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="3"><tr><td valign="top"><div align="left"><img src="http://f1.timescore.co.kr/teentimes/newspaper/img/1217_debate_01.jpg" width="200" align="right" alt="0" style="padding:10px;" class="s_newsimg_over" title="이미지를 클릭하시면 확대 됩니다" /><strong>What’s This About?</strong><br /><br />The employment of children in the entertainment industry is a highly controversial topic, one that raises critical questions about ethics, child welfare, and creative freedom. With the growing public awareness around the prevalence of child exploitation within this industry, more are asking if children should not be allowed to enter it in the first place. The debaters present two different perspectives on this issue.<br /><br /><br />Constructive<br /><br />Pro Finn<br /><br />We must ban children from entering the entertainment industry to protect their well-being. The entertainment industry often places immense pressure on child performers, exposing them to grueling schedules, high expectations, and relentless public scrutiny. Being unequipped or unprepared to deal with such stresses and strains, many of these young performers fall victim to anxiety, depression, or burnout. For example, former child stars like Macaulay Culkin and Lindsay Lohan have openly shared struggles with mental health, partly attributed to the pressures they faced during their formative years. Being deprived of privacy and a chance to grow up in a stable environment can also negatively affect children’s self-esteem and sense of identity. These issues highlight how the industry’s demands can rob a child of a normal childhood and cause lasting psychological harm.<br /><br /><br />Con Alice<br /><br />Banning children from the entertainment industry would unfairly stifle opportunities for young talent. Many children enter the entertainment world because they possess genuine talent and passion for acting, singing, or performing. Iconic actors like Jodie Foster and Daniel Radcliffe began their careers as children and have spoken about the positive impact these experiences had on their lives. Banning children from the industry would deny them the chance to develop their skills, pursue their dreams, and contribute meaningfully to the arts. Additionally, many regulations are already in place to protect child actors. Laws like the California Child Actor’s Bill ensure children retain a portion of their earnings, while strict labor laws dictate work hours, education requirements, and on-set conditions. With proper enforcement and oversight, children can work in the industry without compromising their well-being.<br /><br /><br />Rebuttal<br /><br />Pro Finn<br /><br />Firstly, a child’s ability to provide informed consent is limited. Minors cannot fully grasp the potential lifelong impact of entering the workforce or accepting a legally binding contract. And the legal guardians they rely on to act on their behalf may prioritize financial gain and fame over their interests. It’s not unusual for children to enter the industry at the behest of parents trying to live their dream careers through them. Secondly, the existing labor laws and measures can’t prevent exploitation entirely. For example, the California Child Actor’s Bill only protects 15 percent of the child performers’ earnings, leaving the remaining 85 percent for the guardians to manage or abuse. The entertainment industry also has a history of exposing young performers to uncomfortable and inappropriate situations, leaving them traumatized and emotionally drained.<br /><br /><br />Con Alice<br /><br />Be that as it may, an outright ban on child performers is impossible as they have become too entrenched in the entertainment industry. The film industry, for example, often portrays family-centric stories or narratives involving young characters. Without child actors, these stories would lose authenticity and emotional depth. Think of Henry Thomas in E.T. the Extra-Terrestrial or Millie Bobby Brown in Stranger Things. These productions would not have resonated as deeply with audiences without the genuine emotions and relatability these young actors brought to the screen. Moreover, this ban ignores the possibility of positive experiences. Many child actors have credited their careers with fostering confidence, discipline, and lifelong skills. As such, rather than a ban, we should focus on strengthening protections, educating families, and creating nurturing environments on sets.<br /><br /><br />Judge’s Comments<br /><br />The debate on whether the entertainment industry should stop employing child performers hinges on balancing their protection and well-being with the industry’s creative needs and opportunities. Improved safeguards and stricter enforcement of existing laws could address many concerns while allowing young talents to shine.<br /><br /></div></td></tr><tr><td valign="top"><div align="right">Yesel Kang<br>Copy Editor<br>teen/1737615446/1613367727</div></td></tr></table></td></tr></table>",
"context_text" => "<strong>What’s This About?</strong>
The employment of children in the entertainment industry is a highly controversial topic, one that raises critical questions about ethics, child welfare, and creative freedom. With the growing public awareness around the prevalence of child exploitation within this industry, more are asking if children should not be allowed to enter it in the first place. The debaters present two different perspectives on this issue.
Constructive
Pro Finn
We must ban children from entering the entertainment industry to protect their well-being. The entertainment industry often places immense pressure on child performers, exposing them to grueling schedules, high expectations, and relentless public scrutiny. Being unequipped or unprepared to deal with such stresses and strains, many of these young performers fall victim to anxiety, depression, or burnout. For example, former child stars like Macaulay Culkin and Lindsay Lohan have openly shared struggles with mental health, partly attributed to the pressures they faced during their formative years. Being deprived of privacy and a chance to grow up in a stable environment can also negatively affect children’s self-esteem and sense of identity. These issues highlight how the industry’s demands can rob a child of a normal childhood and cause lasting psychological harm.
Con Alice
Banning children from the entertainment industry would unfairly stifle opportunities for young talent. Many children enter the entertainment world because they possess genuine talent and passion for acting, singing, or performing. Iconic actors like Jodie Foster and Daniel Radcliffe began their careers as children and have spoken about the positive impact these experiences had on their lives. Banning children from the industry would deny them the chance to develop their skills, pursue their dreams, and contribute meaningfully to the arts. Additionally, many regulations are already in place to protect child actors. Laws like the California Child Actor’s Bill ensure children retain a portion of their earnings, while strict labor laws dictate work hours, education requirements, and on-set conditions. With proper enforcement and oversight, children can work in the industry without compromising their well-being.
Rebuttal
Pro Finn
Firstly, a child’s ability to provide informed consent is limited. Minors cannot fully grasp the potential lifelong impact of entering the workforce or accepting a legally binding contract. And the legal guardians they rely on to act on their behalf may prioritize financial gain and fame over their interests. It’s not unusual for children to enter the industry at the behest of parents trying to live their dream careers through them. Secondly, the existing labor laws and measures can’t prevent exploitation entirely. For example, the California Child Actor’s Bill only protects 15 percent of the child performers’ earnings, leaving the remaining 85 percent for the guardians to manage or abuse. The entertainment industry also has a history of exposing young performers to uncomfortable and inappropriate situations, leaving them traumatized and emotionally drained.
Con Alice
Be that as it may, an outright ban on child performers is impossible as they have become too entrenched in the entertainment industry. The film industry, for example, often portrays family-centric stories or narratives involving young characters. Without child actors, these stories would lose authenticity and emotional depth. Think of Henry Thomas in E.T. the Extra-Terrestrial or Millie Bobby Brown in Stranger Things. These productions would not have resonated as deeply with audiences without the genuine emotions and relatability these young actors brought to the screen. Moreover, this ban ignores the possibility of positive experiences. Many child actors have credited their careers with fostering confidence, discipline, and lifelong skills. As such, rather than a ban, we should focus on strengthening protections, educating families, and creating nurturing environments on sets.
Judge’s Comments
The debate on whether the entertainment industry should stop employing child performers hinges on balancing their protection and well-being with the industry’s creative needs and opportunities. Improved safeguards and stricter enforcement of existing laws could address many concerns while allowing young talents to shine.
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"context_kr" => "무엇에 대한 내용인가?
연예계에 아동을 고용하는 것은 윤리, 아동 복지, 그리고 창의적 자유에 대한 비판적인 질문을 제기하는 매우 논란의 여지가 많은 주제입니다.
이 업계 내에서 아동 착취의 만연에 대한 대중의 인식이 높아짐에 따라, 더 많은 사람들이 처음부터 아동이 이 산업에 진입하도록 허용해서는 안 되는지 대해 묻고 있습니다.
토론자들은 이 문제에 대해 두 가지 다른 관점을 제시합니다.
기초
찬성 핀
우리는 어린이들의 행복을 보호하기 위해 연예계에 진출하는 것을 금지해야 합니다
연예계는 종종 아역 출연자들에게 엄청난 압박을 가하며, 녹초로 만드는 스케줄, 높은 기대치, 그리고 끊임없는 대중의 정밀 조사에 그들을 노출시킵니다
이러한 스트레스와 긴장을 다룰 준비가 되어 있지 않거나 준비가 되지 않은 많은 어린 연기자는 불안, 우울증 또는 소진의 희생자가 됩니다.
예를 들어, 맥컬리 컬킨과 린지 로한 같은 전 아역 스타들은 정신 건강에 대한 어려움을 공개적으로 공유해왔는데, 이는 부분적으로는 그들의 발달에 중요한 기간 동안 직면했던 압박감에 기인합니다.
사생활과 안정적인 환경에서 성장할 기회를 박탈당하는 것은 또한 어린이의 자존감과 정체성 감각에 부정적인 영향을 미칠 수 있습니다.
이러한 문제는 그 업계의 요구가 어떻게 아이에게 정상적인 어린 시절을 빼앗기고 지속적인 심리적 피해를 줄 수 있는지를 강조합니다.
반대 앨리스
어린이를 연예계에서 금지하는 것은 젊은 인재의 기회를 부당하게 억압할 수 있습니다.
많은 어린이가 연기, 노래, 그리고 공연에 대한 진정한 재능과 열정을 가지고 있기 때문에 연예계에 진출합니다.
조디 포스터, 다니엘 래드클리프와 같은 상징적인 배우들은 어린 시절부터 경력을 시작했으며 이러한 경험이 그들의 삶에 미친 긍정적인 영향에 대해 이야기해 왔습니다.
그 업계에서 어린이들을 금지하면 아이들이 기술을 개발하고, 꿈을 추구하고, 그리고 예술에 의미 있게 기여할 기회를 박탈하는 것입니다.
게다가, 많은 규정이 이미 아동 배우들을 보호하기 위해 시행되고 있습니다.
엄격한 노동법은 근무 시간, 교육 요건, 그리고 현장 조건을 규정하는 반면, 캘리포니아 아역 배우 법안과 같은 법률은 어린이가 수입의 일부를 유지하도록 보장합니다.
적절한 시행과 감독을 통해, 어린이들은 그들의 행복을 해치지 않고 그 업계에서 일할 수 있습니다.
반론
찬성 핀
첫째, 아동이 정보에 입각한 동의를 제공할 수 있는 능력은 제한적입니다.
미성년자들은 직장에 들어가거나 법적으로 구속력이 있는 계약을 수락하는 것의 평생에 미치는 잠재적 영향을 완전히 이해할 수 없습니다.
그리고 그들을 대신하여 행동하는 법적 보호자는 그들의 이익보다 금전적 이익과 명성을 우선시할 수 있습니다.
자녀를 통해 꿈에 그리던 직업을 가지려는 부모의 강요에 따라 자녀가 업계에 진출하는 것은 드문 일이 아닙니다.
둘째, 기존의 노동법과 조치만으로는 착취를 완전히 막을 수 없습니다
예를 들어, 캘리포니아 아역 배우 법안은 아역 출연자의 수입 중 15 퍼센트만 보호하고 나머지 85 퍼센트는 보호자가 관리하거나 남용하도록 둡니다.
연예계에서도 또한 어린 연기자들을 불편하고 부적절한 상황에 노출시켜 정신적 외상을 초래하며 정서적으로 지치게 만든 역사가 있습니다.
반대 앨리스
그러함에도 불구하고, 그들은 엔터테인먼트 산업에 너무 단단하게 자리 잡고 있기 때문에, 아동 연기자에 대한 전면적인 금지는 불가능합니다.
예를 들어, 영화산업에서는 종종 가족 중심의 이야기나 어린 캐릭터가 등장하는 이야기들을 묘사합니다.
아역 배우가 없다면, 이러한 이야기들은 진정성과 감정적 깊이를 잃게 될 것입니다.
‘이티(E.T. the Extra-Terrestrial)’의 헨리 토마스나 ‘기묘한 이야기(Stranger Things)’의 밀리 바비 브라운을 생각해 보세요.
이러한 작품들은 젊은 배우들이 스크린에 가져온 진정한 감정과 공감대가 없었다면 관객들에게 깊은 반향을 불러 일으키지 못했을 것입니다.
더구나, 이번 금지 조치는 긍정적인 경험의 가능성을 무시한 것입니다.
많은 아역 배우들이 자신의 경력을 자신감, 규율, 평생 기술을 기르는 것으로 인정했습니다.
따라서, 금지 조치보다는, 우리는 보호 강화, 가족 교육, 그리고 촬영장 환경 조성에 집중해야 합니다.
심사위원의 총평
연예계가 아역 출연자의 고용을 중단해야 하는지에 대한 논쟁은 그들의 보호와 복지를 업계의 창의적인 필요와 기회와 균형을 맞추는 데 달려 있습니다.
기존 법률의 개선된 안전장치와 엄격한 집행은 많은 우려를 해결하는 동시에 젊은 인재들이 빛을 발할 수 있도록 할 수 있습니다.
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"wordtip" => "welfare 복지, 후생 / exploitation 착취 / grueling 녹초로 만드는, 엄한 / scrutiny 정밀 조사, 철저한 검토 / formative (사람 성격 등의) 형성[발달]에 중요한 / stifle 억누르다, 억압하다 / informed (특정 주제·상황에 대해) 잘[많이] 아는, 정보통인 / consent 동의[허락] / minor 미성년자 / behest 명령, 강요 / abuse 남용[오용]하다 / be that as it may 그러함에도 불구하고[그렇기는 하지만] / outright 완전한, 전면적인 / safeguard 보호[안전] 장치",
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2. According to Constructive Con Alice, what existing regulations protect child actors in the entertainment industry?<br>
3. According to Rebuttal Pro Finn, why might some parents encourage their children to join the entertainment industry, according to the passage?<br>
4. Why does Rebuttal Con Alice emphasize the need for nurturing environments on set?<br>
",
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2. Do you think a complete ban on child performers would stifle creativity and diversity in the arts? Why?<br>
3. Do you agree that exploitation in the entertainment industry is a significant concern for young performers? Why or why not?<br>
4. If you were in charge of creating new protections for child performers, what would you prioritize?<br>
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<p class="edu_sub_title_txt">Should We Ban Children From Entering the Entertainment Industry?</p>
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The debaters present two different perspectives on this issue.<br /><br /><br />Constructive<br /><br />Pro Finn<br /><br />We must ban children from entering the entertainment industry to protect their well-being. The entertainment industry often places immense pressure on child performers, exposing them to grueling schedules, high expectations, and relentless public scrutiny. Being unequipped or unprepared to deal with such stresses and strains, many of these young performers fall victim to anxiety, depression, or burnout. For example, former child stars like Macaulay Culkin and Lindsay Lohan have openly shared struggles with mental health, partly attributed to the pressures they faced during their formative years. Being deprived of privacy and a chance to grow up in a stable environment can also negatively affect children’s self-esteem and sense of identity. These issues highlight how the industry’s demands can rob a child of a normal childhood and cause lasting psychological harm.<br /><br /><br />Con Alice<br /><br />Banning children from the entertainment industry would unfairly stifle opportunities for young talent. Many children enter the entertainment world because they possess genuine talent and passion for acting, singing, or performing. Iconic actors like Jodie Foster and Daniel Radcliffe began their careers as children and have spoken about the positive impact these experiences had on their lives. Banning children from the industry would deny them the chance to develop their skills, pursue their dreams, and contribute meaningfully to the arts. Additionally, many regulations are already in place to protect child actors. Laws like the California Child Actor’s Bill ensure children retain a portion of their earnings, while strict labor laws dictate work hours, education requirements, and on-set conditions. With proper enforcement and oversight, children can work in the industry without compromising their well-being.<br /><br /><br />Rebuttal<br /><br />Pro Finn<br /><br />Firstly, a child’s ability to provide informed consent is limited. Minors cannot fully grasp the potential lifelong impact of entering the workforce or accepting a legally binding contract. And the legal guardians they rely on to act on their behalf may prioritize financial gain and fame over their interests. It’s not unusual for children to enter the industry at the behest of parents trying to live their dream careers through them. Secondly, the existing labor laws and measures can’t prevent exploitation entirely. For example, the California Child Actor’s Bill only protects 15 percent of the child performers’ earnings, leaving the remaining 85 percent for the guardians to manage or abuse. The entertainment industry also has a history of exposing young performers to uncomfortable and inappropriate situations, leaving them traumatized and emotionally drained.<br /><br /><br />Con Alice<br /><br />Be that as it may, an outright ban on child performers is impossible as they have become too entrenched in the entertainment industry. The film industry, for example, often portrays family-centric stories or narratives involving young characters. Without child actors, these stories would lose authenticity and emotional depth. Think of Henry Thomas in E.T. the Extra-Terrestrial or Millie Bobby Brown in Stranger Things. These productions would not have resonated as deeply with audiences without the genuine emotions and relatability these young actors brought to the screen. Moreover, this ban ignores the possibility of positive experiences. Many child actors have credited their careers with fostering confidence, discipline, and lifelong skills. As such, rather than a ban, we should focus on strengthening protections, educating families, and creating nurturing environments on sets.<br /><br /><br />Judge’s Comments<br /><br />The debate on whether the entertainment industry should stop employing child performers hinges on balancing their protection and well-being with the industry’s creative needs and opportunities. Improved safeguards and stricter enforcement of existing laws could address many concerns while allowing young talents to shine.<br /><br /></div></td></tr><tr><td valign="top"><div align="right">Yesel Kang<br>Copy Editor<br>teen/1737615446/1613367727</div></td></tr></table></td></tr></table> </div>
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"title_kr" => "어린이의 연예계 진입을 금지해야 할까요?",
"context" => "<table border="0" cellspacing="1" cellpadding="5" bgcolor="#cccccc"><tr><td bgcolor="#FFFFFF" align="center" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="3"><tr><td valign="top"><div align="left"><img src="http://f1.timescore.co.kr/teentimes/newspaper/img/1217_debate_01.jpg" width="200" align="right" alt="0" style="padding:10px;" class="s_newsimg_over" title="이미지를 클릭하시면 확대 됩니다" /><strong>What’s This About?</strong><br /><br />The employment of children in the entertainment industry is a highly controversial topic, one that raises critical questions about ethics, child welfare, and creative freedom. With the growing public awareness around the prevalence of child exploitation within this industry, more are asking if children should not be allowed to enter it in the first place. The debaters present two different perspectives on this issue.<br /><br /><br />Constructive<br /><br />Pro Finn<br /><br />We must ban children from entering the entertainment industry to protect their well-being. The entertainment industry often places immense pressure on child performers, exposing them to grueling schedules, high expectations, and relentless public scrutiny. Being unequipped or unprepared to deal with such stresses and strains, many of these young performers fall victim to anxiety, depression, or burnout. For example, former child stars like Macaulay Culkin and Lindsay Lohan have openly shared struggles with mental health, partly attributed to the pressures they faced during their formative years. Being deprived of privacy and a chance to grow up in a stable environment can also negatively affect children’s self-esteem and sense of identity. 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With proper enforcement and oversight, children can work in the industry without compromising their well-being.<br /><br /><br />Rebuttal<br /><br />Pro Finn<br /><br />Firstly, a child’s ability to provide informed consent is limited. Minors cannot fully grasp the potential lifelong impact of entering the workforce or accepting a legally binding contract. And the legal guardians they rely on to act on their behalf may prioritize financial gain and fame over their interests. It’s not unusual for children to enter the industry at the behest of parents trying to live their dream careers through them. Secondly, the existing labor laws and measures can’t prevent exploitation entirely. For example, the California Child Actor’s Bill only protects 15 percent of the child performers’ earnings, leaving the remaining 85 percent for the guardians to manage or abuse. 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"context_text" => "<strong>What’s This About?</strong>
The employment of children in the entertainment industry is a highly controversial topic, one that raises critical questions about ethics, child welfare, and creative freedom. With the growing public awareness around the prevalence of child exploitation within this industry, more are asking if children should not be allowed to enter it in the first place. The debaters present two different perspectives on this issue.
Constructive
Pro Finn
We must ban children from entering the entertainment industry to protect their well-being. The entertainment industry often places immense pressure on child performers, exposing them to grueling schedules, high expectations, and relentless public scrutiny. Being unequipped or unprepared to deal with such stresses and strains, many of these young performers fall victim to anxiety, depression, or burnout. For example, former child stars like Macaulay Culkin and Lindsay Lohan have openly shared struggles with mental health, partly attributed to the pressures they faced during their formative years. Being deprived of privacy and a chance to grow up in a stable environment can also negatively affect children’s self-esteem and sense of identity. These issues highlight how the industry’s demands can rob a child of a normal childhood and cause lasting psychological harm.
Con Alice
Banning children from the entertainment industry would unfairly stifle opportunities for young talent. Many children enter the entertainment world because they possess genuine talent and passion for acting, singing, or performing. Iconic actors like Jodie Foster and Daniel Radcliffe began their careers as children and have spoken about the positive impact these experiences had on their lives. Banning children from the industry would deny them the chance to develop their skills, pursue their dreams, and contribute meaningfully to the arts. Additionally, many regulations are already in place to protect child actors. Laws like the California Child Actor’s Bill ensure children retain a portion of their earnings, while strict labor laws dictate work hours, education requirements, and on-set conditions. With proper enforcement and oversight, children can work in the industry without compromising their well-being.
Rebuttal
Pro Finn
Firstly, a child’s ability to provide informed consent is limited. Minors cannot fully grasp the potential lifelong impact of entering the workforce or accepting a legally binding contract. And the legal guardians they rely on to act on their behalf may prioritize financial gain and fame over their interests. It’s not unusual for children to enter the industry at the behest of parents trying to live their dream careers through them. Secondly, the existing labor laws and measures can’t prevent exploitation entirely. For example, the California Child Actor’s Bill only protects 15 percent of the child performers’ earnings, leaving the remaining 85 percent for the guardians to manage or abuse. The entertainment industry also has a history of exposing young performers to uncomfortable and inappropriate situations, leaving them traumatized and emotionally drained.
Con Alice
Be that as it may, an outright ban on child performers is impossible as they have become too entrenched in the entertainment industry. The film industry, for example, often portrays family-centric stories or narratives involving young characters. Without child actors, these stories would lose authenticity and emotional depth. Think of Henry Thomas in E.T. the Extra-Terrestrial or Millie Bobby Brown in Stranger Things. These productions would not have resonated as deeply with audiences without the genuine emotions and relatability these young actors brought to the screen. Moreover, this ban ignores the possibility of positive experiences. Many child actors have credited their careers with fostering confidence, discipline, and lifelong skills. As such, rather than a ban, we should focus on strengthening protections, educating families, and creating nurturing environments on sets.
Judge’s Comments
The debate on whether the entertainment industry should stop employing child performers hinges on balancing their protection and well-being with the industry’s creative needs and opportunities. Improved safeguards and stricter enforcement of existing laws could address many concerns while allowing young talents to shine.
",
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"context_kr" => "무엇에 대한 내용인가?
연예계에 아동을 고용하는 것은 윤리, 아동 복지, 그리고 창의적 자유에 대한 비판적인 질문을 제기하는 매우 논란의 여지가 많은 주제입니다.
이 업계 내에서 아동 착취의 만연에 대한 대중의 인식이 높아짐에 따라, 더 많은 사람들이 처음부터 아동이 이 산업에 진입하도록 허용해서는 안 되는지 대해 묻고 있습니다.
토론자들은 이 문제에 대해 두 가지 다른 관점을 제시합니다.
기초
찬성 핀
우리는 어린이들의 행복을 보호하기 위해 연예계에 진출하는 것을 금지해야 합니다
연예계는 종종 아역 출연자들에게 엄청난 압박을 가하며, 녹초로 만드는 스케줄, 높은 기대치, 그리고 끊임없는 대중의 정밀 조사에 그들을 노출시킵니다
이러한 스트레스와 긴장을 다룰 준비가 되어 있지 않거나 준비가 되지 않은 많은 어린 연기자는 불안, 우울증 또는 소진의 희생자가 됩니다.
예를 들어, 맥컬리 컬킨과 린지 로한 같은 전 아역 스타들은 정신 건강에 대한 어려움을 공개적으로 공유해왔는데, 이는 부분적으로는 그들의 발달에 중요한 기간 동안 직면했던 압박감에 기인합니다.
사생활과 안정적인 환경에서 성장할 기회를 박탈당하는 것은 또한 어린이의 자존감과 정체성 감각에 부정적인 영향을 미칠 수 있습니다.
이러한 문제는 그 업계의 요구가 어떻게 아이에게 정상적인 어린 시절을 빼앗기고 지속적인 심리적 피해를 줄 수 있는지를 강조합니다.
반대 앨리스
어린이를 연예계에서 금지하는 것은 젊은 인재의 기회를 부당하게 억압할 수 있습니다.
많은 어린이가 연기, 노래, 그리고 공연에 대한 진정한 재능과 열정을 가지고 있기 때문에 연예계에 진출합니다.
조디 포스터, 다니엘 래드클리프와 같은 상징적인 배우들은 어린 시절부터 경력을 시작했으며 이러한 경험이 그들의 삶에 미친 긍정적인 영향에 대해 이야기해 왔습니다.
그 업계에서 어린이들을 금지하면 아이들이 기술을 개발하고, 꿈을 추구하고, 그리고 예술에 의미 있게 기여할 기회를 박탈하는 것입니다.
게다가, 많은 규정이 이미 아동 배우들을 보호하기 위해 시행되고 있습니다.
엄격한 노동법은 근무 시간, 교육 요건, 그리고 현장 조건을 규정하는 반면, 캘리포니아 아역 배우 법안과 같은 법률은 어린이가 수입의 일부를 유지하도록 보장합니다.
적절한 시행과 감독을 통해, 어린이들은 그들의 행복을 해치지 않고 그 업계에서 일할 수 있습니다.
반론
찬성 핀
첫째, 아동이 정보에 입각한 동의를 제공할 수 있는 능력은 제한적입니다.
미성년자들은 직장에 들어가거나 법적으로 구속력이 있는 계약을 수락하는 것의 평생에 미치는 잠재적 영향을 완전히 이해할 수 없습니다.
그리고 그들을 대신하여 행동하는 법적 보호자는 그들의 이익보다 금전적 이익과 명성을 우선시할 수 있습니다.
자녀를 통해 꿈에 그리던 직업을 가지려는 부모의 강요에 따라 자녀가 업계에 진출하는 것은 드문 일이 아닙니다.
둘째, 기존의 노동법과 조치만으로는 착취를 완전히 막을 수 없습니다
예를 들어, 캘리포니아 아역 배우 법안은 아역 출연자의 수입 중 15 퍼센트만 보호하고 나머지 85 퍼센트는 보호자가 관리하거나 남용하도록 둡니다.
연예계에서도 또한 어린 연기자들을 불편하고 부적절한 상황에 노출시켜 정신적 외상을 초래하며 정서적으로 지치게 만든 역사가 있습니다.
반대 앨리스
그러함에도 불구하고, 그들은 엔터테인먼트 산업에 너무 단단하게 자리 잡고 있기 때문에, 아동 연기자에 대한 전면적인 금지는 불가능합니다.
예를 들어, 영화산업에서는 종종 가족 중심의 이야기나 어린 캐릭터가 등장하는 이야기들을 묘사합니다.
아역 배우가 없다면, 이러한 이야기들은 진정성과 감정적 깊이를 잃게 될 것입니다.
‘이티(E.T. the Extra-Terrestrial)’의 헨리 토마스나 ‘기묘한 이야기(Stranger Things)’의 밀리 바비 브라운을 생각해 보세요.
이러한 작품들은 젊은 배우들이 스크린에 가져온 진정한 감정과 공감대가 없었다면 관객들에게 깊은 반향을 불러 일으키지 못했을 것입니다.
더구나, 이번 금지 조치는 긍정적인 경험의 가능성을 무시한 것입니다.
많은 아역 배우들이 자신의 경력을 자신감, 규율, 평생 기술을 기르는 것으로 인정했습니다.
따라서, 금지 조치보다는, 우리는 보호 강화, 가족 교육, 그리고 촬영장 환경 조성에 집중해야 합니다.
심사위원의 총평
연예계가 아역 출연자의 고용을 중단해야 하는지에 대한 논쟁은 그들의 보호와 복지를 업계의 창의적인 필요와 기회와 균형을 맞추는 데 달려 있습니다.
기존 법률의 개선된 안전장치와 엄격한 집행은 많은 우려를 해결하는 동시에 젊은 인재들이 빛을 발할 수 있도록 할 수 있습니다.
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<p class="edu_sub_top_txt_l">Should We Ban Children From Entering the Entertainment Industry?</p>
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"context" => "<table border="0" cellspacing="1" cellpadding="5" bgcolor="#cccccc"><tr><td bgcolor="#FFFFFF" align="center" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="3"><tr><td valign="top"><div align="left"><img src="http://f1.timescore.co.kr/teentimes/newspaper/img/1217_debate_01.jpg" width="200" align="right" alt="0" style="padding:10px;" class="s_newsimg_over" title="이미지를 클릭하시면 확대 됩니다" /><strong>What’s This About?</strong><br /><br />The employment of children in the entertainment industry is a highly controversial topic, one that raises critical questions about ethics, child welfare, and creative freedom. With the growing public awareness around the prevalence of child exploitation within this industry, more are asking if children should not be allowed to enter it in the first place. The debaters present two different perspectives on this issue.<br /><br /><br />Constructive<br /><br />Pro Finn<br /><br />We must ban children from entering the entertainment industry to protect their well-being. The entertainment industry often places immense pressure on child performers, exposing them to grueling schedules, high expectations, and relentless public scrutiny. Being unequipped or unprepared to deal with such stresses and strains, many of these young performers fall victim to anxiety, depression, or burnout. For example, former child stars like Macaulay Culkin and Lindsay Lohan have openly shared struggles with mental health, partly attributed to the pressures they faced during their formative years. Being deprived of privacy and a chance to grow up in a stable environment can also negatively affect children’s self-esteem and sense of identity. 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With proper enforcement and oversight, children can work in the industry without compromising their well-being.<br /><br /><br />Rebuttal<br /><br />Pro Finn<br /><br />Firstly, a child’s ability to provide informed consent is limited. Minors cannot fully grasp the potential lifelong impact of entering the workforce or accepting a legally binding contract. And the legal guardians they rely on to act on their behalf may prioritize financial gain and fame over their interests. It’s not unusual for children to enter the industry at the behest of parents trying to live their dream careers through them. Secondly, the existing labor laws and measures can’t prevent exploitation entirely. For example, the California Child Actor’s Bill only protects 15 percent of the child performers’ earnings, leaving the remaining 85 percent for the guardians to manage or abuse. The entertainment industry also has a history of exposing young performers to uncomfortable and inappropriate situations, leaving them traumatized and emotionally drained.<br /><br /><br />Con Alice<br /><br />Be that as it may, an outright ban on child performers is impossible as they have become too entrenched in the entertainment industry. The film industry, for example, often portrays family-centric stories or narratives involving young characters. Without child actors, these stories would lose authenticity and emotional depth. Think of Henry Thomas in E.T. the Extra-Terrestrial or Millie Bobby Brown in Stranger Things. These productions would not have resonated as deeply with audiences without the genuine emotions and relatability these young actors brought to the screen. Moreover, this ban ignores the possibility of positive experiences. Many child actors have credited their careers with fostering confidence, discipline, and lifelong skills. As such, rather than a ban, we should focus on strengthening protections, educating families, and creating nurturing environments on sets.<br /><br /><br />Judge’s Comments<br /><br />The debate on whether the entertainment industry should stop employing child performers hinges on balancing their protection and well-being with the industry’s creative needs and opportunities. Improved safeguards and stricter enforcement of existing laws could address many concerns while allowing young talents to shine.<br /><br /></div></td></tr><tr><td valign="top"><div align="right">Yesel Kang<br>Copy Editor<br>teen/1737615446/1613367727</div></td></tr></table></td></tr></table>",
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The employment of children in the entertainment industry is a highly controversial topic, one that raises critical questions about ethics, child welfare, and creative freedom. With the growing public awareness around the prevalence of child exploitation within this industry, more are asking if children should not be allowed to enter it in the first place. The debaters present two different perspectives on this issue.
Constructive
Pro Finn
We must ban children from entering the entertainment industry to protect their well-being. The entertainment industry often places immense pressure on child performers, exposing them to grueling schedules, high expectations, and relentless public scrutiny. Being unequipped or unprepared to deal with such stresses and strains, many of these young performers fall victim to anxiety, depression, or burnout. For example, former child stars like Macaulay Culkin and Lindsay Lohan have openly shared struggles with mental health, partly attributed to the pressures they faced during their formative years. Being deprived of privacy and a chance to grow up in a stable environment can also negatively affect children’s self-esteem and sense of identity. These issues highlight how the industry’s demands can rob a child of a normal childhood and cause lasting psychological harm.
Con Alice
Banning children from the entertainment industry would unfairly stifle opportunities for young talent. Many children enter the entertainment world because they possess genuine talent and passion for acting, singing, or performing. Iconic actors like Jodie Foster and Daniel Radcliffe began their careers as children and have spoken about the positive impact these experiences had on their lives. Banning children from the industry would deny them the chance to develop their skills, pursue their dreams, and contribute meaningfully to the arts. Additionally, many regulations are already in place to protect child actors. Laws like the California Child Actor’s Bill ensure children retain a portion of their earnings, while strict labor laws dictate work hours, education requirements, and on-set conditions. With proper enforcement and oversight, children can work in the industry without compromising their well-being.
Rebuttal
Pro Finn
Firstly, a child’s ability to provide informed consent is limited. Minors cannot fully grasp the potential lifelong impact of entering the workforce or accepting a legally binding contract. And the legal guardians they rely on to act on their behalf may prioritize financial gain and fame over their interests. It’s not unusual for children to enter the industry at the behest of parents trying to live their dream careers through them. Secondly, the existing labor laws and measures can’t prevent exploitation entirely. For example, the California Child Actor’s Bill only protects 15 percent of the child performers’ earnings, leaving the remaining 85 percent for the guardians to manage or abuse. The entertainment industry also has a history of exposing young performers to uncomfortable and inappropriate situations, leaving them traumatized and emotionally drained.
Con Alice
Be that as it may, an outright ban on child performers is impossible as they have become too entrenched in the entertainment industry. The film industry, for example, often portrays family-centric stories or narratives involving young characters. Without child actors, these stories would lose authenticity and emotional depth. Think of Henry Thomas in E.T. the Extra-Terrestrial or Millie Bobby Brown in Stranger Things. These productions would not have resonated as deeply with audiences without the genuine emotions and relatability these young actors brought to the screen. Moreover, this ban ignores the possibility of positive experiences. Many child actors have credited their careers with fostering confidence, discipline, and lifelong skills. As such, rather than a ban, we should focus on strengthening protections, educating families, and creating nurturing environments on sets.
Judge’s Comments
The debate on whether the entertainment industry should stop employing child performers hinges on balancing their protection and well-being with the industry’s creative needs and opportunities. Improved safeguards and stricter enforcement of existing laws could address many concerns while allowing young talents to shine.
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"context_kr" => "무엇에 대한 내용인가?
연예계에 아동을 고용하는 것은 윤리, 아동 복지, 그리고 창의적 자유에 대한 비판적인 질문을 제기하는 매우 논란의 여지가 많은 주제입니다.
이 업계 내에서 아동 착취의 만연에 대한 대중의 인식이 높아짐에 따라, 더 많은 사람들이 처음부터 아동이 이 산업에 진입하도록 허용해서는 안 되는지 대해 묻고 있습니다.
토론자들은 이 문제에 대해 두 가지 다른 관점을 제시합니다.
기초
찬성 핀
우리는 어린이들의 행복을 보호하기 위해 연예계에 진출하는 것을 금지해야 합니다
연예계는 종종 아역 출연자들에게 엄청난 압박을 가하며, 녹초로 만드는 스케줄, 높은 기대치, 그리고 끊임없는 대중의 정밀 조사에 그들을 노출시킵니다
이러한 스트레스와 긴장을 다룰 준비가 되어 있지 않거나 준비가 되지 않은 많은 어린 연기자는 불안, 우울증 또는 소진의 희생자가 됩니다.
예를 들어, 맥컬리 컬킨과 린지 로한 같은 전 아역 스타들은 정신 건강에 대한 어려움을 공개적으로 공유해왔는데, 이는 부분적으로는 그들의 발달에 중요한 기간 동안 직면했던 압박감에 기인합니다.
사생활과 안정적인 환경에서 성장할 기회를 박탈당하는 것은 또한 어린이의 자존감과 정체성 감각에 부정적인 영향을 미칠 수 있습니다.
이러한 문제는 그 업계의 요구가 어떻게 아이에게 정상적인 어린 시절을 빼앗기고 지속적인 심리적 피해를 줄 수 있는지를 강조합니다.
반대 앨리스
어린이를 연예계에서 금지하는 것은 젊은 인재의 기회를 부당하게 억압할 수 있습니다.
많은 어린이가 연기, 노래, 그리고 공연에 대한 진정한 재능과 열정을 가지고 있기 때문에 연예계에 진출합니다.
조디 포스터, 다니엘 래드클리프와 같은 상징적인 배우들은 어린 시절부터 경력을 시작했으며 이러한 경험이 그들의 삶에 미친 긍정적인 영향에 대해 이야기해 왔습니다.
그 업계에서 어린이들을 금지하면 아이들이 기술을 개발하고, 꿈을 추구하고, 그리고 예술에 의미 있게 기여할 기회를 박탈하는 것입니다.
게다가, 많은 규정이 이미 아동 배우들을 보호하기 위해 시행되고 있습니다.
엄격한 노동법은 근무 시간, 교육 요건, 그리고 현장 조건을 규정하는 반면, 캘리포니아 아역 배우 법안과 같은 법률은 어린이가 수입의 일부를 유지하도록 보장합니다.
적절한 시행과 감독을 통해, 어린이들은 그들의 행복을 해치지 않고 그 업계에서 일할 수 있습니다.
반론
찬성 핀
첫째, 아동이 정보에 입각한 동의를 제공할 수 있는 능력은 제한적입니다.
미성년자들은 직장에 들어가거나 법적으로 구속력이 있는 계약을 수락하는 것의 평생에 미치는 잠재적 영향을 완전히 이해할 수 없습니다.
그리고 그들을 대신하여 행동하는 법적 보호자는 그들의 이익보다 금전적 이익과 명성을 우선시할 수 있습니다.
자녀를 통해 꿈에 그리던 직업을 가지려는 부모의 강요에 따라 자녀가 업계에 진출하는 것은 드문 일이 아닙니다.
둘째, 기존의 노동법과 조치만으로는 착취를 완전히 막을 수 없습니다
예를 들어, 캘리포니아 아역 배우 법안은 아역 출연자의 수입 중 15 퍼센트만 보호하고 나머지 85 퍼센트는 보호자가 관리하거나 남용하도록 둡니다.
연예계에서도 또한 어린 연기자들을 불편하고 부적절한 상황에 노출시켜 정신적 외상을 초래하며 정서적으로 지치게 만든 역사가 있습니다.
반대 앨리스
그러함에도 불구하고, 그들은 엔터테인먼트 산업에 너무 단단하게 자리 잡고 있기 때문에, 아동 연기자에 대한 전면적인 금지는 불가능합니다.
예를 들어, 영화산업에서는 종종 가족 중심의 이야기나 어린 캐릭터가 등장하는 이야기들을 묘사합니다.
아역 배우가 없다면, 이러한 이야기들은 진정성과 감정적 깊이를 잃게 될 것입니다.
‘이티(E.T. the Extra-Terrestrial)’의 헨리 토마스나 ‘기묘한 이야기(Stranger Things)’의 밀리 바비 브라운을 생각해 보세요.
이러한 작품들은 젊은 배우들이 스크린에 가져온 진정한 감정과 공감대가 없었다면 관객들에게 깊은 반향을 불러 일으키지 못했을 것입니다.
더구나, 이번 금지 조치는 긍정적인 경험의 가능성을 무시한 것입니다.
많은 아역 배우들이 자신의 경력을 자신감, 규율, 평생 기술을 기르는 것으로 인정했습니다.
따라서, 금지 조치보다는, 우리는 보호 강화, 가족 교육, 그리고 촬영장 환경 조성에 집중해야 합니다.
심사위원의 총평
연예계가 아역 출연자의 고용을 중단해야 하는지에 대한 논쟁은 그들의 보호와 복지를 업계의 창의적인 필요와 기회와 균형을 맞추는 데 달려 있습니다.
기존 법률의 개선된 안전장치와 엄격한 집행은 많은 우려를 해결하는 동시에 젊은 인재들이 빛을 발할 수 있도록 할 수 있습니다.
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"wordtip" => "welfare 복지, 후생 / exploitation 착취 / grueling 녹초로 만드는, 엄한 / scrutiny 정밀 조사, 철저한 검토 / formative (사람 성격 등의) 형성[발달]에 중요한 / stifle 억누르다, 억압하다 / informed (특정 주제·상황에 대해) 잘[많이] 아는, 정보통인 / consent 동의[허락] / minor 미성년자 / behest 명령, 강요 / abuse 남용[오용]하다 / be that as it may 그러함에도 불구하고[그렇기는 하지만] / outright 완전한, 전면적인 / safeguard 보호[안전] 장치",
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4. Why does Rebuttal Con Alice emphasize the need for nurturing environments on set?<br>
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2. Do you think a complete ban on child performers would stifle creativity and diversity in the arts? Why?<br>
3. Do you agree that exploitation in the entertainment industry is a significant concern for young performers? Why or why not?<br>
4. If you were in charge of creating new protections for child performers, what would you prioritize?<br>
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"title" => "Should We Ban Children From Entering the Entertainment Industry?",
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"title_kr" => "어린이의 연예계 진입을 금지해야 할까요?",
"context" => "<table border="0" cellspacing="1" cellpadding="5" bgcolor="#cccccc"><tr><td bgcolor="#FFFFFF" align="center" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="3"><tr><td valign="top"><div align="left"><img src="http://f1.timescore.co.kr/teentimes/newspaper/img/1217_debate_01.jpg" width="200" align="right" alt="0" style="padding:10px;" class="s_newsimg_over" title="이미지를 클릭하시면 확대 됩니다" /><strong>What’s This About?</strong><br /><br />The employment of children in the entertainment industry is a highly controversial topic, one that raises critical questions about ethics, child welfare, and creative freedom. With the growing public awareness around the prevalence of child exploitation within this industry, more are asking if children should not be allowed to enter it in the first place. The debaters present two different perspectives on this issue.<br /><br /><br />Constructive<br /><br />Pro Finn<br /><br />We must ban children from entering the entertainment industry to protect their well-being. The entertainment industry often places immense pressure on child performers, exposing them to grueling schedules, high expectations, and relentless public scrutiny. Being unequipped or unprepared to deal with such stresses and strains, many of these young performers fall victim to anxiety, depression, or burnout. For example, former child stars like Macaulay Culkin and Lindsay Lohan have openly shared struggles with mental health, partly attributed to the pressures they faced during their formative years. Being deprived of privacy and a chance to grow up in a stable environment can also negatively affect children’s self-esteem and sense of identity. These issues highlight how the industry’s demands can rob a child of a normal childhood and cause lasting psychological harm.<br /><br /><br />Con Alice<br /><br />Banning children from the entertainment industry would unfairly stifle opportunities for young talent. Many children enter the entertainment world because they possess genuine talent and passion for acting, singing, or performing. Iconic actors like Jodie Foster and Daniel Radcliffe began their careers as children and have spoken about the positive impact these experiences had on their lives. Banning children from the industry would deny them the chance to develop their skills, pursue their dreams, and contribute meaningfully to the arts. Additionally, many regulations are already in place to protect child actors. Laws like the California Child Actor’s Bill ensure children retain a portion of their earnings, while strict labor laws dictate work hours, education requirements, and on-set conditions. With proper enforcement and oversight, children can work in the industry without compromising their well-being.<br /><br /><br />Rebuttal<br /><br />Pro Finn<br /><br />Firstly, a child’s ability to provide informed consent is limited. Minors cannot fully grasp the potential lifelong impact of entering the workforce or accepting a legally binding contract. And the legal guardians they rely on to act on their behalf may prioritize financial gain and fame over their interests. It’s not unusual for children to enter the industry at the behest of parents trying to live their dream careers through them. Secondly, the existing labor laws and measures can’t prevent exploitation entirely. For example, the California Child Actor’s Bill only protects 15 percent of the child performers’ earnings, leaving the remaining 85 percent for the guardians to manage or abuse. The entertainment industry also has a history of exposing young performers to uncomfortable and inappropriate situations, leaving them traumatized and emotionally drained.<br /><br /><br />Con Alice<br /><br />Be that as it may, an outright ban on child performers is impossible as they have become too entrenched in the entertainment industry. The film industry, for example, often portrays family-centric stories or narratives involving young characters. Without child actors, these stories would lose authenticity and emotional depth. Think of Henry Thomas in E.T. the Extra-Terrestrial or Millie Bobby Brown in Stranger Things. These productions would not have resonated as deeply with audiences without the genuine emotions and relatability these young actors brought to the screen. Moreover, this ban ignores the possibility of positive experiences. Many child actors have credited their careers with fostering confidence, discipline, and lifelong skills. As such, rather than a ban, we should focus on strengthening protections, educating families, and creating nurturing environments on sets.<br /><br /><br />Judge’s Comments<br /><br />The debate on whether the entertainment industry should stop employing child performers hinges on balancing their protection and well-being with the industry’s creative needs and opportunities. Improved safeguards and stricter enforcement of existing laws could address many concerns while allowing young talents to shine.<br /><br /></div></td></tr><tr><td valign="top"><div align="right">Yesel Kang<br>Copy Editor<br>teen/1737615446/1613367727</div></td></tr></table></td></tr></table>",
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The employment of children in the entertainment industry is a highly controversial topic, one that raises critical questions about ethics, child welfare, and creative freedom. With the growing public awareness around the prevalence of child exploitation within this industry, more are asking if children should not be allowed to enter it in the first place. The debaters present two different perspectives on this issue.
Constructive
Pro Finn
We must ban children from entering the entertainment industry to protect their well-being. The entertainment industry often places immense pressure on child performers, exposing them to grueling schedules, high expectations, and relentless public scrutiny. Being unequipped or unprepared to deal with such stresses and strains, many of these young performers fall victim to anxiety, depression, or burnout. For example, former child stars like Macaulay Culkin and Lindsay Lohan have openly shared struggles with mental health, partly attributed to the pressures they faced during their formative years. Being deprived of privacy and a chance to grow up in a stable environment can also negatively affect children’s self-esteem and sense of identity. These issues highlight how the industry’s demands can rob a child of a normal childhood and cause lasting psychological harm.
Con Alice
Banning children from the entertainment industry would unfairly stifle opportunities for young talent. Many children enter the entertainment world because they possess genuine talent and passion for acting, singing, or performing. Iconic actors like Jodie Foster and Daniel Radcliffe began their careers as children and have spoken about the positive impact these experiences had on their lives. Banning children from the industry would deny them the chance to develop their skills, pursue their dreams, and contribute meaningfully to the arts. Additionally, many regulations are already in place to protect child actors. Laws like the California Child Actor’s Bill ensure children retain a portion of their earnings, while strict labor laws dictate work hours, education requirements, and on-set conditions. With proper enforcement and oversight, children can work in the industry without compromising their well-being.
Rebuttal
Pro Finn
Firstly, a child’s ability to provide informed consent is limited. Minors cannot fully grasp the potential lifelong impact of entering the workforce or accepting a legally binding contract. And the legal guardians they rely on to act on their behalf may prioritize financial gain and fame over their interests. It’s not unusual for children to enter the industry at the behest of parents trying to live their dream careers through them. Secondly, the existing labor laws and measures can’t prevent exploitation entirely. For example, the California Child Actor’s Bill only protects 15 percent of the child performers’ earnings, leaving the remaining 85 percent for the guardians to manage or abuse. The entertainment industry also has a history of exposing young performers to uncomfortable and inappropriate situations, leaving them traumatized and emotionally drained.
Con Alice
Be that as it may, an outright ban on child performers is impossible as they have become too entrenched in the entertainment industry. The film industry, for example, often portrays family-centric stories or narratives involving young characters. Without child actors, these stories would lose authenticity and emotional depth. Think of Henry Thomas in E.T. the Extra-Terrestrial or Millie Bobby Brown in Stranger Things. These productions would not have resonated as deeply with audiences without the genuine emotions and relatability these young actors brought to the screen. Moreover, this ban ignores the possibility of positive experiences. Many child actors have credited their careers with fostering confidence, discipline, and lifelong skills. As such, rather than a ban, we should focus on strengthening protections, educating families, and creating nurturing environments on sets.
Judge’s Comments
The debate on whether the entertainment industry should stop employing child performers hinges on balancing their protection and well-being with the industry’s creative needs and opportunities. Improved safeguards and stricter enforcement of existing laws could address many concerns while allowing young talents to shine.
",
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"context_kr" => "무엇에 대한 내용인가?
연예계에 아동을 고용하는 것은 윤리, 아동 복지, 그리고 창의적 자유에 대한 비판적인 질문을 제기하는 매우 논란의 여지가 많은 주제입니다.
이 업계 내에서 아동 착취의 만연에 대한 대중의 인식이 높아짐에 따라, 더 많은 사람들이 처음부터 아동이 이 산업에 진입하도록 허용해서는 안 되는지 대해 묻고 있습니다.
토론자들은 이 문제에 대해 두 가지 다른 관점을 제시합니다.
기초
찬성 핀
우리는 어린이들의 행복을 보호하기 위해 연예계에 진출하는 것을 금지해야 합니다
연예계는 종종 아역 출연자들에게 엄청난 압박을 가하며, 녹초로 만드는 스케줄, 높은 기대치, 그리고 끊임없는 대중의 정밀 조사에 그들을 노출시킵니다
이러한 스트레스와 긴장을 다룰 준비가 되어 있지 않거나 준비가 되지 않은 많은 어린 연기자는 불안, 우울증 또는 소진의 희생자가 됩니다.
예를 들어, 맥컬리 컬킨과 린지 로한 같은 전 아역 스타들은 정신 건강에 대한 어려움을 공개적으로 공유해왔는데, 이는 부분적으로는 그들의 발달에 중요한 기간 동안 직면했던 압박감에 기인합니다.
사생활과 안정적인 환경에서 성장할 기회를 박탈당하는 것은 또한 어린이의 자존감과 정체성 감각에 부정적인 영향을 미칠 수 있습니다.
이러한 문제는 그 업계의 요구가 어떻게 아이에게 정상적인 어린 시절을 빼앗기고 지속적인 심리적 피해를 줄 수 있는지를 강조합니다.
반대 앨리스
어린이를 연예계에서 금지하는 것은 젊은 인재의 기회를 부당하게 억압할 수 있습니다.
많은 어린이가 연기, 노래, 그리고 공연에 대한 진정한 재능과 열정을 가지고 있기 때문에 연예계에 진출합니다.
조디 포스터, 다니엘 래드클리프와 같은 상징적인 배우들은 어린 시절부터 경력을 시작했으며 이러한 경험이 그들의 삶에 미친 긍정적인 영향에 대해 이야기해 왔습니다.
그 업계에서 어린이들을 금지하면 아이들이 기술을 개발하고, 꿈을 추구하고, 그리고 예술에 의미 있게 기여할 기회를 박탈하는 것입니다.
게다가, 많은 규정이 이미 아동 배우들을 보호하기 위해 시행되고 있습니다.
엄격한 노동법은 근무 시간, 교육 요건, 그리고 현장 조건을 규정하는 반면, 캘리포니아 아역 배우 법안과 같은 법률은 어린이가 수입의 일부를 유지하도록 보장합니다.
적절한 시행과 감독을 통해, 어린이들은 그들의 행복을 해치지 않고 그 업계에서 일할 수 있습니다.
반론
찬성 핀
첫째, 아동이 정보에 입각한 동의를 제공할 수 있는 능력은 제한적입니다.
미성년자들은 직장에 들어가거나 법적으로 구속력이 있는 계약을 수락하는 것의 평생에 미치는 잠재적 영향을 완전히 이해할 수 없습니다.
그리고 그들을 대신하여 행동하는 법적 보호자는 그들의 이익보다 금전적 이익과 명성을 우선시할 수 있습니다.
자녀를 통해 꿈에 그리던 직업을 가지려는 부모의 강요에 따라 자녀가 업계에 진출하는 것은 드문 일이 아닙니다.
둘째, 기존의 노동법과 조치만으로는 착취를 완전히 막을 수 없습니다
예를 들어, 캘리포니아 아역 배우 법안은 아역 출연자의 수입 중 15 퍼센트만 보호하고 나머지 85 퍼센트는 보호자가 관리하거나 남용하도록 둡니다.
연예계에서도 또한 어린 연기자들을 불편하고 부적절한 상황에 노출시켜 정신적 외상을 초래하며 정서적으로 지치게 만든 역사가 있습니다.
반대 앨리스
그러함에도 불구하고, 그들은 엔터테인먼트 산업에 너무 단단하게 자리 잡고 있기 때문에, 아동 연기자에 대한 전면적인 금지는 불가능합니다.
예를 들어, 영화산업에서는 종종 가족 중심의 이야기나 어린 캐릭터가 등장하는 이야기들을 묘사합니다.
아역 배우가 없다면, 이러한 이야기들은 진정성과 감정적 깊이를 잃게 될 것입니다.
‘이티(E.T. the Extra-Terrestrial)’의 헨리 토마스나 ‘기묘한 이야기(Stranger Things)’의 밀리 바비 브라운을 생각해 보세요.
이러한 작품들은 젊은 배우들이 스크린에 가져온 진정한 감정과 공감대가 없었다면 관객들에게 깊은 반향을 불러 일으키지 못했을 것입니다.
더구나, 이번 금지 조치는 긍정적인 경험의 가능성을 무시한 것입니다.
많은 아역 배우들이 자신의 경력을 자신감, 규율, 평생 기술을 기르는 것으로 인정했습니다.
따라서, 금지 조치보다는, 우리는 보호 강화, 가족 교육, 그리고 촬영장 환경 조성에 집중해야 합니다.
심사위원의 총평
연예계가 아역 출연자의 고용을 중단해야 하는지에 대한 논쟁은 그들의 보호와 복지를 업계의 창의적인 필요와 기회와 균형을 맞추는 데 달려 있습니다.
기존 법률의 개선된 안전장치와 엄격한 집행은 많은 우려를 해결하는 동시에 젊은 인재들이 빛을 발할 수 있도록 할 수 있습니다.
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"wordtip" => "welfare 복지, 후생 / exploitation 착취 / grueling 녹초로 만드는, 엄한 / scrutiny 정밀 조사, 철저한 검토 / formative (사람 성격 등의) 형성[발달]에 중요한 / stifle 억누르다, 억압하다 / informed (특정 주제·상황에 대해) 잘[많이] 아는, 정보통인 / consent 동의[허락] / minor 미성년자 / behest 명령, 강요 / abuse 남용[오용]하다 / be that as it may 그러함에도 불구하고[그렇기는 하지만] / outright 완전한, 전면적인 / safeguard 보호[안전] 장치",
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2. According to Constructive Con Alice, what existing regulations protect child actors in the entertainment industry?<br>
3. According to Rebuttal Pro Finn, why might some parents encourage their children to join the entertainment industry, according to the passage?<br>
4. Why does Rebuttal Con Alice emphasize the need for nurturing environments on set?<br>
",
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2. Do you think a complete ban on child performers would stifle creativity and diversity in the arts? Why?<br>
3. Do you agree that exploitation in the entertainment industry is a significant concern for young performers? Why or why not?<br>
4. If you were in charge of creating new protections for child performers, what would you prioritize?<br>
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"title" => "Should We Ban Children From Entering the Entertainment Industry?",
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"context" => "<table border="0" cellspacing="1" cellpadding="5" bgcolor="#cccccc"><tr><td bgcolor="#FFFFFF" align="center" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="3"><tr><td valign="top"><div align="left"><img src="http://f1.timescore.co.kr/teentimes/newspaper/img/1217_debate_01.jpg" width="200" align="right" alt="0" style="padding:10px;" class="s_newsimg_over" title="이미지를 클릭하시면 확대 됩니다" /><strong>What’s This About?</strong><br /><br />The employment of children in the entertainment industry is a highly controversial topic, one that raises critical questions about ethics, child welfare, and creative freedom. With the growing public awareness around the prevalence of child exploitation within this industry, more are asking if children should not be allowed to enter it in the first place. The debaters present two different perspectives on this issue.<br /><br /><br />Constructive<br /><br />Pro Finn<br /><br />We must ban children from entering the entertainment industry to protect their well-being. The entertainment industry often places immense pressure on child performers, exposing them to grueling schedules, high expectations, and relentless public scrutiny. Being unequipped or unprepared to deal with such stresses and strains, many of these young performers fall victim to anxiety, depression, or burnout. For example, former child stars like Macaulay Culkin and Lindsay Lohan have openly shared struggles with mental health, partly attributed to the pressures they faced during their formative years. Being deprived of privacy and a chance to grow up in a stable environment can also negatively affect children’s self-esteem and sense of identity. These issues highlight how the industry’s demands can rob a child of a normal childhood and cause lasting psychological harm.<br /><br /><br />Con Alice<br /><br />Banning children from the entertainment industry would unfairly stifle opportunities for young talent. Many children enter the entertainment world because they possess genuine talent and passion for acting, singing, or performing. Iconic actors like Jodie Foster and Daniel Radcliffe began their careers as children and have spoken about the positive impact these experiences had on their lives. Banning children from the industry would deny them the chance to develop their skills, pursue their dreams, and contribute meaningfully to the arts. Additionally, many regulations are already in place to protect child actors. Laws like the California Child Actor’s Bill ensure children retain a portion of their earnings, while strict labor laws dictate work hours, education requirements, and on-set conditions. With proper enforcement and oversight, children can work in the industry without compromising their well-being.<br /><br /><br />Rebuttal<br /><br />Pro Finn<br /><br />Firstly, a child’s ability to provide informed consent is limited. Minors cannot fully grasp the potential lifelong impact of entering the workforce or accepting a legally binding contract. And the legal guardians they rely on to act on their behalf may prioritize financial gain and fame over their interests. It’s not unusual for children to enter the industry at the behest of parents trying to live their dream careers through them. Secondly, the existing labor laws and measures can’t prevent exploitation entirely. For example, the California Child Actor’s Bill only protects 15 percent of the child performers’ earnings, leaving the remaining 85 percent for the guardians to manage or abuse. The entertainment industry also has a history of exposing young performers to uncomfortable and inappropriate situations, leaving them traumatized and emotionally drained.<br /><br /><br />Con Alice<br /><br />Be that as it may, an outright ban on child performers is impossible as they have become too entrenched in the entertainment industry. The film industry, for example, often portrays family-centric stories or narratives involving young characters. Without child actors, these stories would lose authenticity and emotional depth. Think of Henry Thomas in E.T. the Extra-Terrestrial or Millie Bobby Brown in Stranger Things. These productions would not have resonated as deeply with audiences without the genuine emotions and relatability these young actors brought to the screen. Moreover, this ban ignores the possibility of positive experiences. Many child actors have credited their careers with fostering confidence, discipline, and lifelong skills. As such, rather than a ban, we should focus on strengthening protections, educating families, and creating nurturing environments on sets.<br /><br /><br />Judge’s Comments<br /><br />The debate on whether the entertainment industry should stop employing child performers hinges on balancing their protection and well-being with the industry’s creative needs and opportunities. Improved safeguards and stricter enforcement of existing laws could address many concerns while allowing young talents to shine.<br /><br /></div></td></tr><tr><td valign="top"><div align="right">Yesel Kang<br>Copy Editor<br>teen/1737615446/1613367727</div></td></tr></table></td></tr></table>",
"context_text" => "<strong>What’s This About?</strong>
The employment of children in the entertainment industry is a highly controversial topic, one that raises critical questions about ethics, child welfare, and creative freedom. With the growing public awareness around the prevalence of child exploitation within this industry, more are asking if children should not be allowed to enter it in the first place. The debaters present two different perspectives on this issue.
Constructive
Pro Finn
We must ban children from entering the entertainment industry to protect their well-being. The entertainment industry often places immense pressure on child performers, exposing them to grueling schedules, high expectations, and relentless public scrutiny. Being unequipped or unprepared to deal with such stresses and strains, many of these young performers fall victim to anxiety, depression, or burnout. For example, former child stars like Macaulay Culkin and Lindsay Lohan have openly shared struggles with mental health, partly attributed to the pressures they faced during their formative years. Being deprived of privacy and a chance to grow up in a stable environment can also negatively affect children’s self-esteem and sense of identity. These issues highlight how the industry’s demands can rob a child of a normal childhood and cause lasting psychological harm.
Con Alice
Banning children from the entertainment industry would unfairly stifle opportunities for young talent. Many children enter the entertainment world because they possess genuine talent and passion for acting, singing, or performing. Iconic actors like Jodie Foster and Daniel Radcliffe began their careers as children and have spoken about the positive impact these experiences had on their lives. Banning children from the industry would deny them the chance to develop their skills, pursue their dreams, and contribute meaningfully to the arts. Additionally, many regulations are already in place to protect child actors. Laws like the California Child Actor’s Bill ensure children retain a portion of their earnings, while strict labor laws dictate work hours, education requirements, and on-set conditions. With proper enforcement and oversight, children can work in the industry without compromising their well-being.
Rebuttal
Pro Finn
Firstly, a child’s ability to provide informed consent is limited. Minors cannot fully grasp the potential lifelong impact of entering the workforce or accepting a legally binding contract. And the legal guardians they rely on to act on their behalf may prioritize financial gain and fame over their interests. It’s not unusual for children to enter the industry at the behest of parents trying to live their dream careers through them. Secondly, the existing labor laws and measures can’t prevent exploitation entirely. For example, the California Child Actor’s Bill only protects 15 percent of the child performers’ earnings, leaving the remaining 85 percent for the guardians to manage or abuse. The entertainment industry also has a history of exposing young performers to uncomfortable and inappropriate situations, leaving them traumatized and emotionally drained.
Con Alice
Be that as it may, an outright ban on child performers is impossible as they have become too entrenched in the entertainment industry. The film industry, for example, often portrays family-centric stories or narratives involving young characters. Without child actors, these stories would lose authenticity and emotional depth. Think of Henry Thomas in E.T. the Extra-Terrestrial or Millie Bobby Brown in Stranger Things. These productions would not have resonated as deeply with audiences without the genuine emotions and relatability these young actors brought to the screen. Moreover, this ban ignores the possibility of positive experiences. Many child actors have credited their careers with fostering confidence, discipline, and lifelong skills. As such, rather than a ban, we should focus on strengthening protections, educating families, and creating nurturing environments on sets.
Judge’s Comments
The debate on whether the entertainment industry should stop employing child performers hinges on balancing their protection and well-being with the industry’s creative needs and opportunities. Improved safeguards and stricter enforcement of existing laws could address many concerns while allowing young talents to shine.
",
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"context_kr" => "무엇에 대한 내용인가?
연예계에 아동을 고용하는 것은 윤리, 아동 복지, 그리고 창의적 자유에 대한 비판적인 질문을 제기하는 매우 논란의 여지가 많은 주제입니다.
이 업계 내에서 아동 착취의 만연에 대한 대중의 인식이 높아짐에 따라, 더 많은 사람들이 처음부터 아동이 이 산업에 진입하도록 허용해서는 안 되는지 대해 묻고 있습니다.
토론자들은 이 문제에 대해 두 가지 다른 관점을 제시합니다.
기초
찬성 핀
우리는 어린이들의 행복을 보호하기 위해 연예계에 진출하는 것을 금지해야 합니다
연예계는 종종 아역 출연자들에게 엄청난 압박을 가하며, 녹초로 만드는 스케줄, 높은 기대치, 그리고 끊임없는 대중의 정밀 조사에 그들을 노출시킵니다
이러한 스트레스와 긴장을 다룰 준비가 되어 있지 않거나 준비가 되지 않은 많은 어린 연기자는 불안, 우울증 또는 소진의 희생자가 됩니다.
예를 들어, 맥컬리 컬킨과 린지 로한 같은 전 아역 스타들은 정신 건강에 대한 어려움을 공개적으로 공유해왔는데, 이는 부분적으로는 그들의 발달에 중요한 기간 동안 직면했던 압박감에 기인합니다.
사생활과 안정적인 환경에서 성장할 기회를 박탈당하는 것은 또한 어린이의 자존감과 정체성 감각에 부정적인 영향을 미칠 수 있습니다.
이러한 문제는 그 업계의 요구가 어떻게 아이에게 정상적인 어린 시절을 빼앗기고 지속적인 심리적 피해를 줄 수 있는지를 강조합니다.
반대 앨리스
어린이를 연예계에서 금지하는 것은 젊은 인재의 기회를 부당하게 억압할 수 있습니다.
많은 어린이가 연기, 노래, 그리고 공연에 대한 진정한 재능과 열정을 가지고 있기 때문에 연예계에 진출합니다.
조디 포스터, 다니엘 래드클리프와 같은 상징적인 배우들은 어린 시절부터 경력을 시작했으며 이러한 경험이 그들의 삶에 미친 긍정적인 영향에 대해 이야기해 왔습니다.
그 업계에서 어린이들을 금지하면 아이들이 기술을 개발하고, 꿈을 추구하고, 그리고 예술에 의미 있게 기여할 기회를 박탈하는 것입니다.
게다가, 많은 규정이 이미 아동 배우들을 보호하기 위해 시행되고 있습니다.
엄격한 노동법은 근무 시간, 교육 요건, 그리고 현장 조건을 규정하는 반면, 캘리포니아 아역 배우 법안과 같은 법률은 어린이가 수입의 일부를 유지하도록 보장합니다.
적절한 시행과 감독을 통해, 어린이들은 그들의 행복을 해치지 않고 그 업계에서 일할 수 있습니다.
반론
찬성 핀
첫째, 아동이 정보에 입각한 동의를 제공할 수 있는 능력은 제한적입니다.
미성년자들은 직장에 들어가거나 법적으로 구속력이 있는 계약을 수락하는 것의 평생에 미치는 잠재적 영향을 완전히 이해할 수 없습니다.
그리고 그들을 대신하여 행동하는 법적 보호자는 그들의 이익보다 금전적 이익과 명성을 우선시할 수 있습니다.
자녀를 통해 꿈에 그리던 직업을 가지려는 부모의 강요에 따라 자녀가 업계에 진출하는 것은 드문 일이 아닙니다.
둘째, 기존의 노동법과 조치만으로는 착취를 완전히 막을 수 없습니다
예를 들어, 캘리포니아 아역 배우 법안은 아역 출연자의 수입 중 15 퍼센트만 보호하고 나머지 85 퍼센트는 보호자가 관리하거나 남용하도록 둡니다.
연예계에서도 또한 어린 연기자들을 불편하고 부적절한 상황에 노출시켜 정신적 외상을 초래하며 정서적으로 지치게 만든 역사가 있습니다.
반대 앨리스
그러함에도 불구하고, 그들은 엔터테인먼트 산업에 너무 단단하게 자리 잡고 있기 때문에, 아동 연기자에 대한 전면적인 금지는 불가능합니다.
예를 들어, 영화산업에서는 종종 가족 중심의 이야기나 어린 캐릭터가 등장하는 이야기들을 묘사합니다.
아역 배우가 없다면, 이러한 이야기들은 진정성과 감정적 깊이를 잃게 될 것입니다.
‘이티(E.T. the Extra-Terrestrial)’의 헨리 토마스나 ‘기묘한 이야기(Stranger Things)’의 밀리 바비 브라운을 생각해 보세요.
이러한 작품들은 젊은 배우들이 스크린에 가져온 진정한 감정과 공감대가 없었다면 관객들에게 깊은 반향을 불러 일으키지 못했을 것입니다.
더구나, 이번 금지 조치는 긍정적인 경험의 가능성을 무시한 것입니다.
많은 아역 배우들이 자신의 경력을 자신감, 규율, 평생 기술을 기르는 것으로 인정했습니다.
따라서, 금지 조치보다는, 우리는 보호 강화, 가족 교육, 그리고 촬영장 환경 조성에 집중해야 합니다.
심사위원의 총평
연예계가 아역 출연자의 고용을 중단해야 하는지에 대한 논쟁은 그들의 보호와 복지를 업계의 창의적인 필요와 기회와 균형을 맞추는 데 달려 있습니다.
기존 법률의 개선된 안전장치와 엄격한 집행은 많은 우려를 해결하는 동시에 젊은 인재들이 빛을 발할 수 있도록 할 수 있습니다.
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2. According to Constructive Con Alice, what existing regulations protect child actors in the entertainment industry?<br>
3. According to Rebuttal Pro Finn, why might some parents encourage their children to join the entertainment industry, according to the passage?<br>
4. Why does Rebuttal Con Alice emphasize the need for nurturing environments on set?<br>
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2. Do you think a complete ban on child performers would stifle creativity and diversity in the arts? Why?<br>
3. Do you agree that exploitation in the entertainment industry is a significant concern for young performers? Why or why not?<br>
4. If you were in charge of creating new protections for child performers, what would you prioritize?<br>
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<div class="edu_sub_title" style="position:relative">
<p class="edu_sub_title_txt">Should We Ban Children From Entering the Entertainment Industry?</p>
<p class="edu_sub_title_img" style="top:0"><span class="text_hidden">트로피이미지</span></p>
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<table border="0" cellspacing="1" cellpadding="5" bgcolor="#cccccc"><tr><td bgcolor="#FFFFFF" align="center" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="3"><tr><td valign="top"><div align="left"><img src="http://f1.timescore.co.kr/teentimes/newspaper/img/1217_debate_01.jpg" width="200" align="right" alt="0" style="padding:10px;" class="s_newsimg_over" title="이미지를 클릭하시면 확대 됩니다" /><strong>What’s This About?</strong><br /><br />The employment of children in the entertainment industry is a highly controversial topic, one that raises critical questions about ethics, child welfare, and creative freedom. With the growing public awareness around the prevalence of child exploitation within this industry, more are asking if children should not be allowed to enter it in the first place. The debaters present two different perspectives on this issue.<br /><br /><br />Constructive<br /><br />Pro Finn<br /><br />We must ban children from entering the entertainment industry to protect their well-being. The entertainment industry often places immense pressure on child performers, exposing them to grueling schedules, high expectations, and relentless public scrutiny. Being unequipped or unprepared to deal with such stresses and strains, many of these young performers fall victim to anxiety, depression, or burnout. For example, former child stars like Macaulay Culkin and Lindsay Lohan have openly shared struggles with mental health, partly attributed to the pressures they faced during their formative years. Being deprived of privacy and a chance to grow up in a stable environment can also negatively affect children’s self-esteem and sense of identity. These issues highlight how the industry’s demands can rob a child of a normal childhood and cause lasting psychological harm.<br /><br /><br />Con Alice<br /><br />Banning children from the entertainment industry would unfairly stifle opportunities for young talent. Many children enter the entertainment world because they possess genuine talent and passion for acting, singing, or performing. Iconic actors like Jodie Foster and Daniel Radcliffe began their careers as children and have spoken about the positive impact these experiences had on their lives. Banning children from the industry would deny them the chance to develop their skills, pursue their dreams, and contribute meaningfully to the arts. Additionally, many regulations are already in place to protect child actors. Laws like the California Child Actor’s Bill ensure children retain a portion of their earnings, while strict labor laws dictate work hours, education requirements, and on-set conditions. With proper enforcement and oversight, children can work in the industry without compromising their well-being.<br /><br /><br />Rebuttal<br /><br />Pro Finn<br /><br />Firstly, a child’s ability to provide informed consent is limited. Minors cannot fully grasp the potential lifelong impact of entering the workforce or accepting a legally binding contract. And the legal guardians they rely on to act on their behalf may prioritize financial gain and fame over their interests. It’s not unusual for children to enter the industry at the behest of parents trying to live their dream careers through them. Secondly, the existing labor laws and measures can’t prevent exploitation entirely. For example, the California Child Actor’s Bill only protects 15 percent of the child performers’ earnings, leaving the remaining 85 percent for the guardians to manage or abuse. The entertainment industry also has a history of exposing young performers to uncomfortable and inappropriate situations, leaving them traumatized and emotionally drained.<br /><br /><br />Con Alice<br /><br />Be that as it may, an outright ban on child performers is impossible as they have become too entrenched in the entertainment industry. The film industry, for example, often portrays family-centric stories or narratives involving young characters. Without child actors, these stories would lose authenticity and emotional depth. Think of Henry Thomas in E.T. the Extra-Terrestrial or Millie Bobby Brown in Stranger Things. These productions would not have resonated as deeply with audiences without the genuine emotions and relatability these young actors brought to the screen. Moreover, this ban ignores the possibility of positive experiences. Many child actors have credited their careers with fostering confidence, discipline, and lifelong skills. As such, rather than a ban, we should focus on strengthening protections, educating families, and creating nurturing environments on sets.<br /><br /><br />Judge’s Comments<br /><br />The debate on whether the entertainment industry should stop employing child performers hinges on balancing their protection and well-being with the industry’s creative needs and opportunities. Improved safeguards and stricter enforcement of existing laws could address many concerns while allowing young talents to shine.<br /><br /></div></td></tr><tr><td valign="top"><div align="right">Yesel Kang<br>Copy Editor<br>teen/1737615446/1613367727</div></td></tr></table></td></tr></table> </div>
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