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<p class="edu_sub_top_txt_l">Is Eco-Vandalism Effective at Driving Climate Action?</p>
<p class="edu_sub_top_txt_r">HOME > LEVEL3</p>
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<li><a href="javascript:tcplayer('t_1184_debate', 'LCM', '1716769777', '1613367727', '2', '');"><span class="text_show">음성/속청</span></a></li>
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"title_kr" => "친환경 반달리즘은 기후 행동을 이끄는 데 효과적인가?",
"context" => "<table border="0" cellspacing="1" cellpadding="5" bgcolor="#cccccc"><tr><td bgcolor="#FFFFFF" align="center" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="3"><tr><td valign="top"><div align="left"><img src="http://f1.timescore.co.kr/teentimes/newspaper/img/1184_debate_01.jpg" width="200" align="right" alt="0" style="padding:10px;" class="s_newsimg_over" title="이미지를 클릭하시면 확대 됩니다" /><strong>What’s This About?</strong><br /><br />In recent times, climate activists have been making headlines by targeting iconic paintings and other cultural assets to highlight the urgency of the climate crisis. While some argue that such drastic measures are necessary to capture public attention, others question whether these actions ultimately benefit or harm the broader movement for climate action. So, is vandalizing art an effective means of protest? Let’s find out.<br /><br /><br />Constructive<br /><br />Pro Finn<br /><br />Vandalism of famous art is a powerful form of climate protest. Dramatic as it may be, it ensures that society can no longer ignore the issue. Despite decades of awareness of the imminent effects of climate change, fossil fuels remain the primary global energy source. Activist groups such as Just Stop Oil and Last Generation have resorted to defacing famous paintings and cultural monuments in response to this lack of urgency, hoping to elevate their cause to the prominence of these masterpieces. And this approach has made an impact, sparking conversations and generating media coverage on a global scale. While any potential damage is regrettable, we are running out of time, and the destruction of a few artworks is negligible compared to the devastating consequences of climate change.<br /><br /><br />Con Alice<br /><br />Vandalism of famous art is not an effective form of climate protest as it creates more problems, inconveniencing others. According to a joint statement published online by 92 directors of high-profile institutions, the activists behind the attacks on art severely underestimate the fragility of these irreplaceable objects. While the recent eco-vandalism cases have not caused permanent damage to iconic paintings, as most are behind glass coverings, some museums have reported minor damage. These acts of vandalism have led museums and galleries to incur further costs for repair and additional protective measures for their artworks. Furthermore, we must not sacrifice our cultural heritage to protect the environment, as both are equally important. Risking these works of art would mean depriving future generations of the opportunity to appreciate and learn from them.<br /><br /><br />Rebuttal<br /><br />Pro Finn<br /><br />Should we not take sufficient action, the impending destruction from climate change would destroy much of our precious cultural heritage regardless. Eco-vandalism as a performance art reminds us of this reality, and the distress we feel at the potential loss of art prods us to protect the natural world with equal passion. Moreover, these acts of vandalism disrupt the status quo, forcing people to confront uncomfortable truths. By targeting symbols of wealth and privilege, such as renowned artworks housed in prestigious institutions, it highlights the disproportionate impact of climate change on marginalized communities often overlooked in mainstream discussions. It can also serve as a symbolic protest against the capitalist systems that drive environmental destruction. Eco-vandalism may be controversial, but it is most effective at provoking thought and action.<br /><br /><br />Con Alice<br /><br />Eco-vandalism may be counterproductive in the long run as it alienates potential allies and detracts from the credibility of the climate movement. These acts of vandalism have inadvertently reinforced negative stereotypes about environmental activists as radical extremists, making it easier for opponents to dismiss legitimate concerns about climate change. They undermine efforts to build broad-based coalitions and garner public support for meaningful solutions. As much as I can understand the despair of the climate activists, damaging precious pieces of history and culture is not the way to go. Instead of engaging in destructive behavior, activists should pursue more constructive and ethical forms of protest that advance the cause, such as advocating for policy reforms, promoting sustainable practices, and mobilizing communities to demand action from governments and corporations.<br /><br /><br />Judge’s Comments<br /><br />That concludes today’s debate. The effectiveness of eco-vandalism remains open to question. While it undoubtedly succeeds in drawing attention, we cannot underestimate its potential to alienate the public. What do you think about this method of protest?<br /><br /></div></td></tr><tr><td valign="top"><div align="right">Yesel Kang<br>Copy Editor<br>teen/1716769777/1613367727</div></td></tr></table></td></tr></table>",
"context_text" => "<strong>What’s This About?</strong>
In recent times, climate activists have been making headlines by targeting iconic paintings and other cultural assets to highlight the urgency of the climate crisis. While some argue that such drastic measures are necessary to capture public attention, others question whether these actions ultimately benefit or harm the broader movement for climate action. So, is vandalizing art an effective means of protest? Let’s find out.
Constructive
Pro Finn
Vandalism of famous art is a powerful form of climate protest. Dramatic as it may be, it ensures that society can no longer ignore the issue. Despite decades of awareness of the imminent effects of climate change, fossil fuels remain the primary global energy source. Activist groups such as Just Stop Oil and Last Generation have resorted to defacing famous paintings and cultural monuments in response to this lack of urgency, hoping to elevate their cause to the prominence of these masterpieces. And this approach has made an impact, sparking conversations and generating media coverage on a global scale. While any potential damage is regrettable, we are running out of time, and the destruction of a few artworks is negligible compared to the devastating consequences of climate change.
Con Alice
Vandalism of famous art is not an effective form of climate protest as it creates more problems, inconveniencing others. According to a joint statement published online by 92 directors of high-profile institutions, the activists behind the attacks on art severely underestimate the fragility of these irreplaceable objects. While the recent eco-vandalism cases have not caused permanent damage to iconic paintings, as most are behind glass coverings, some museums have reported minor damage. These acts of vandalism have led museums and galleries to incur further costs for repair and additional protective measures for their artworks. Furthermore, we must not sacrifice our cultural heritage to protect the environment, as both are equally important. Risking these works of art would mean depriving future generations of the opportunity to appreciate and learn from them.
Rebuttal
Pro Finn
Should we not take sufficient action, the impending destruction from climate change would destroy much of our precious cultural heritage regardless. Eco-vandalism as a performance art reminds us of this reality, and the distress we feel at the potential loss of art prods us to protect the natural world with equal passion. Moreover, these acts of vandalism disrupt the status quo, forcing people to confront uncomfortable truths. By targeting symbols of wealth and privilege, such as renowned artworks housed in prestigious institutions, it highlights the disproportionate impact of climate change on marginalized communities often overlooked in mainstream discussions. It can also serve as a symbolic protest against the capitalist systems that drive environmental destruction. Eco-vandalism may be controversial, but it is most effective at provoking thought and action.
Con Alice
Eco-vandalism may be counterproductive in the long run as it alienates potential allies and detracts from the credibility of the climate movement. These acts of vandalism have inadvertently reinforced negative stereotypes about environmental activists as radical extremists, making it easier for opponents to dismiss legitimate concerns about climate change. They undermine efforts to build broad-based coalitions and garner public support for meaningful solutions. As much as I can understand the despair of the climate activists, damaging precious pieces of history and culture is not the way to go. Instead of engaging in destructive behavior, activists should pursue more constructive and ethical forms of protest that advance the cause, such as advocating for policy reforms, promoting sustainable practices, and mobilizing communities to demand action from governments and corporations.
Judge’s Comments
That concludes today’s debate. The effectiveness of eco-vandalism remains open to question. While it undoubtedly succeeds in drawing attention, we cannot underestimate its potential to alienate the public. What do you think about this method of protest?
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"context_kr" => "무엇에 대한 내용인가?
최근에, 기후 행동가들은 기후 위기의 긴급성을 강조하기 위해 상징적인 그림과 기타 문화 자산을 표적으로 삼아 헤드라인을 장식하고 있습니다.
일부는 대중의 관심을 끌기 위해 이러한 과감한 조치들이 필요하다고 주장하는 반면, 다른 사람들은 이러한 조치들이 궁극적으로 기후 행동에 대한 광범위한 움직임에 도움이 되는지 아니면 해가 되는지에 대해 의문을 제기합니다.
그렇다면 미술품을 훼손하는 것이 효과적인 항의 수단일까요?
알아봅시다.
찬성
찬성 핀
유명 예술품의 반달리즘은 기후 저항의 강력한 형태입니다.
극적일 수도 있지만, 그것은 사회가 더 이상 문제를 무시할 수 없도록 보장합니다.
기후 변화의 임박한 영향에 대한 수십 년의 인식에도 불구하고 화석 연료는 여전히 주요 세계 에너지원으로 남아 있습니다.
저스트 스톱 오일과 라스트 제너레이션과 같은 행동가 단체는 이러한 긴급성 부족에 대한 대응으로 유명한 그림과 문화 기념물의 외관을 훼손하는 데 의존하여, 그 원인을 이 걸작들의 명성으로 높이기를 희망합니다.
그리고 이 접근법은 세계적인 규모로 대화를 촉발하고 매스컴의 보도량을 생성하며, 영향을 미쳤습니다.
잠재적인 피해는 안타깝지만, 우리는 시간이 촉박하고, 몇 개의 예술작품을 파괴하는 것은 기후변화가 가져올 파괴적인 결과에 비하면 무시해도 될 정도 입니다.
반대 앨리스
유명한 예술의 반달리즘은 다른 사람들을 불편하게 하며 더 많은 문제를 만들기 때문에, 효과적인 기후 시위의 형태가 아닙니다.
92명의 저명한 기관장들이 온라인에 발표한 공동 성명에 따르면, 예술 공격의 배후에 있는 활동가들은 이러한 대체할 수 없는 물체들의 취약성을 심각하게 과소평가합니다.
대부분이 유리 덮개 뒤에 있기 때문에, 최근의 친환경 반달리즘 사례들이 상징적인 그림에 영구적인 손상을 입히지는 않았지만, 일부 박물관들은 경미한 손상을 보고했습니다.
이러한 반달리즘 행위는 박물관과 갤러리들이 그들의 예술 작품들에 대한 수리 및 추가적인 보호 조치에 대한 추가적인 비용을 발생하게 했습니다.
더욱이, 둘 다 똑같이 중요하기 때문에, 우리는 환경을 보호하기 위해 우리의 문화 유산을 희생해서는 안 됩니다.
이러한 예술 작품들을 위험에 빠뜨리는 것은 미래 세대들이 그것들을 감상하고 배울 수 있는 기회를 박탈하는 것을 의미합니다.
반론
찬성 핀
우리가 충분한 조치를 취하지 않는다면, 기후 변화로 인한 임박한 파괴는 상관없이 우리의 소중한 문화 유산의 많은 부분을 파괴할 것입니다.
공연 예술로서의 친환경 반달리즘은 우리에게 이러한 현실을 상기시키며, 우리가 예술의 잠재적 손실에 대해 느끼는 고통은 우리에게 동등한 열정으로 자연계를 보호하도록 촉구합니다.
게다가, 이러한 반달리즘의 행위는 사람들이 불편한 진실에 맞서도록 강요하며, 현상을 방해합니다.
명망 있는 기관에 소장된 유명한 예술품과 같은, 부와 특권의 상징을 대상으로 함으로써 주류 논의에서 종종 간과되는 소외된 공동체에 대한 기후 변화의 불균형적인 영향을 강조합니다.
또한 환경 파괴를 주도하는 자본주의 체제에 대한 상징적인 항의 역할을 할 수 있습니다
친환경 반달리즘은 역효과를 낳을 수 있지만, 생각과 행동을 자극하는 데 가장 효과적입니다.
반대 앨리스
친환경 반달리즘은 잠재적인 동맹국들이 소외감을 느끼고 기후 운동의 신뢰성을 떨어뜨리기 때문에 장기적으로 역효과를 낳을 수도 있습니다.
이러한 반달리즘의 행위는 무심코 급진적 극단주의자로서 환경운동가들에 대한 부정적인 고정관념을 강화함으로써, 반대자들이 기후변화에 대한 정당한 우려를 더 쉽게 일축할 수 있게 합니다.
그들은 광범위한 연합을 구축하고 의미 있는 해결책에 대한 대중의 지지를 얻기 위한 노력을 약화시킵니다.
제가 기후운동가들의 절망을 이해할 수 있는 한, 소중한 역사와 문화를 훼손하는 것은 옳지 않습니다.
파괴적인 행동에 가담하는 대신, 활동가들은 정책 개혁 옹호, 지속 가능한 관행 장려, 그리고 지역 사회 동원을 통해 정부와 기업에 조치를 요구하는 등 대의를 진전시키는 보다 건설적이고 윤리적인 형태의 항의를 추구해야 합니다.
심사위원의 총평
이것으로 오늘의 토론을 마치겠습니다.
친환경 반달리즘의 효과는 여전히 의문의 여지가 있습니다.
관심을 끄는 데는 성공하지만 대중을 소외시킬 수 있는 잠재력을 과소평가할 수는 없습니다. What do you think about this method of protest?
",
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"sct" => "",
"video_file" => "",
"video_link" => "",
"wordtip" => "climate action 기후 행동 (국가 혹은 국제적으로 기후 변화에 대응하기 위한 정책, 실질적인 노력) / imminent 목전의, 임박한 / deface 외관을 훼손하다 / media coverage (특정 사건에 대한) 매스컴의 보도(량) / negligible (중요성·규모가 작아) 무시해도 될 정도의 / prod 재촉[촉구]하다 / privilege 특권 / mainstream (사상·견해 등의) 주류[대세] / counterproductive 역효과를 낳는 / alienate 소외감을 느끼게 하다 / detract from ~을 손상시키다 / credibility 신뢰성 / inadvertently 무심코, 우연히, 부주의로 / reinforce 강화하다 / coalition 연합",
"level" => "4",
"comprehension" => "1. What are the main arguments made by the first speech of the pro side? <br>
2. What are the main arguments made by the first speech of the con side? <br>
3. What are the main arguments made by the second speech of the pro side? <br>
4. What are the main arguments made by the second speech of the con side? <br>
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4. What are some things you would like to destroy or vandalize? Explain. <br>
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)</pre><pre class="stack-trace">include - APP/views/advanced/news.ctp, line 29
View::_render() - CORE/cake-1.3.18/libs/view/view.php, line 736
View::render() - CORE/cake-1.3.18/libs/view/view.php, line 431
Controller::render() - CORE/cake-1.3.18/libs/controller/controller.php, line 909
Dispatcher::_invoke() - CORE/cake-1.3.18/dispatcher.php, line 208
Dispatcher::dispatch() - CORE/cake-1.3.18/dispatcher.php, line 172
[main] - APP/webroot/index.php, line 86</pre></div></pre>/Advanced.Section:<pre class="cake-debug"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr2-trace').style.display = (document.getElementById('cakeErr2-trace').style.display == 'none' ? '' : 'none');"><b>Notice</b> (8)</a>: Undefined index: Advanced.Section [<b>APP/views/advanced/news.ctp</b>, line <b>29</b>]<div id="cakeErr2-trace" class="cake-stack-trace" style="display: none;"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr2-code').style.display = (document.getElementById('cakeErr2-code').style.display == 'none' ? '' : 'none')">Code</a> | <a href="javascript:void(0);" onclick="document.getElementById('cakeErr2-context').style.display = (document.getElementById('cakeErr2-context').style.display == 'none' ? '' : 'none')">Context</a><div id="cakeErr2-code" class="cake-code-dump" style="display: none;"><pre><code><span style="color: #000000"></span></code>
<code><span style="color: #000000"> if (Configure::read() > 0) {</span></code>
<span class="code-highlight"><code><span style="color: #000000"> include ($___viewFn);</span></code></span></pre></div><pre id="cakeErr2-context" class="cake-context" style="display: none;">$___viewFn = "/home/www/jinan.timescore.co.kr/views/advanced/news.ctp"
$___dataForView = array(
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"title_kr" => "친환경 반달리즘은 기후 행동을 이끄는 데 효과적인가?",
"context" => "<table border="0" cellspacing="1" cellpadding="5" bgcolor="#cccccc"><tr><td bgcolor="#FFFFFF" align="center" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="3"><tr><td valign="top"><div align="left"><img src="http://f1.timescore.co.kr/teentimes/newspaper/img/1184_debate_01.jpg" width="200" align="right" alt="0" style="padding:10px;" class="s_newsimg_over" title="이미지를 클릭하시면 확대 됩니다" /><strong>What’s This About?</strong><br /><br />In recent times, climate activists have been making headlines by targeting iconic paintings and other cultural assets to highlight the urgency of the climate crisis. While some argue that such drastic measures are necessary to capture public attention, others question whether these actions ultimately benefit or harm the broader movement for climate action. So, is vandalizing art an effective means of protest? Let’s find out.<br /><br /><br />Constructive<br /><br />Pro Finn<br /><br />Vandalism of famous art is a powerful form of climate protest. Dramatic as it may be, it ensures that society can no longer ignore the issue. Despite decades of awareness of the imminent effects of climate change, fossil fuels remain the primary global energy source. Activist groups such as Just Stop Oil and Last Generation have resorted to defacing famous paintings and cultural monuments in response to this lack of urgency, hoping to elevate their cause to the prominence of these masterpieces. And this approach has made an impact, sparking conversations and generating media coverage on a global scale. While any potential damage is regrettable, we are running out of time, and the destruction of a few artworks is negligible compared to the devastating consequences of climate change.<br /><br /><br />Con Alice<br /><br />Vandalism of famous art is not an effective form of climate protest as it creates more problems, inconveniencing others. According to a joint statement published online by 92 directors of high-profile institutions, the activists behind the attacks on art severely underestimate the fragility of these irreplaceable objects. While the recent eco-vandalism cases have not caused permanent damage to iconic paintings, as most are behind glass coverings, some museums have reported minor damage. These acts of vandalism have led museums and galleries to incur further costs for repair and additional protective measures for their artworks. Furthermore, we must not sacrifice our cultural heritage to protect the environment, as both are equally important. Risking these works of art would mean depriving future generations of the opportunity to appreciate and learn from them.<br /><br /><br />Rebuttal<br /><br />Pro Finn<br /><br />Should we not take sufficient action, the impending destruction from climate change would destroy much of our precious cultural heritage regardless. Eco-vandalism as a performance art reminds us of this reality, and the distress we feel at the potential loss of art prods us to protect the natural world with equal passion. Moreover, these acts of vandalism disrupt the status quo, forcing people to confront uncomfortable truths. By targeting symbols of wealth and privilege, such as renowned artworks housed in prestigious institutions, it highlights the disproportionate impact of climate change on marginalized communities often overlooked in mainstream discussions. It can also serve as a symbolic protest against the capitalist systems that drive environmental destruction. Eco-vandalism may be controversial, but it is most effective at provoking thought and action.<br /><br /><br />Con Alice<br /><br />Eco-vandalism may be counterproductive in the long run as it alienates potential allies and detracts from the credibility of the climate movement. These acts of vandalism have inadvertently reinforced negative stereotypes about environmental activists as radical extremists, making it easier for opponents to dismiss legitimate concerns about climate change. They undermine efforts to build broad-based coalitions and garner public support for meaningful solutions. As much as I can understand the despair of the climate activists, damaging precious pieces of history and culture is not the way to go. Instead of engaging in destructive behavior, activists should pursue more constructive and ethical forms of protest that advance the cause, such as advocating for policy reforms, promoting sustainable practices, and mobilizing communities to demand action from governments and corporations.<br /><br /><br />Judge’s Comments<br /><br />That concludes today’s debate. The effectiveness of eco-vandalism remains open to question. While it undoubtedly succeeds in drawing attention, we cannot underestimate its potential to alienate the public. What do you think about this method of protest?<br /><br /></div></td></tr><tr><td valign="top"><div align="right">Yesel Kang<br>Copy Editor<br>teen/1716769777/1613367727</div></td></tr></table></td></tr></table>",
"context_text" => "<strong>What’s This About?</strong>
In recent times, climate activists have been making headlines by targeting iconic paintings and other cultural assets to highlight the urgency of the climate crisis. While some argue that such drastic measures are necessary to capture public attention, others question whether these actions ultimately benefit or harm the broader movement for climate action. So, is vandalizing art an effective means of protest? Let’s find out.
Constructive
Pro Finn
Vandalism of famous art is a powerful form of climate protest. Dramatic as it may be, it ensures that society can no longer ignore the issue. Despite decades of awareness of the imminent effects of climate change, fossil fuels remain the primary global energy source. Activist groups such as Just Stop Oil and Last Generation have resorted to defacing famous paintings and cultural monuments in response to this lack of urgency, hoping to elevate their cause to the prominence of these masterpieces. And this approach has made an impact, sparking conversations and generating media coverage on a global scale. While any potential damage is regrettable, we are running out of time, and the destruction of a few artworks is negligible compared to the devastating consequences of climate change.
Con Alice
Vandalism of famous art is not an effective form of climate protest as it creates more problems, inconveniencing others. According to a joint statement published online by 92 directors of high-profile institutions, the activists behind the attacks on art severely underestimate the fragility of these irreplaceable objects. While the recent eco-vandalism cases have not caused permanent damage to iconic paintings, as most are behind glass coverings, some museums have reported minor damage. These acts of vandalism have led museums and galleries to incur further costs for repair and additional protective measures for their artworks. Furthermore, we must not sacrifice our cultural heritage to protect the environment, as both are equally important. Risking these works of art would mean depriving future generations of the opportunity to appreciate and learn from them.
Rebuttal
Pro Finn
Should we not take sufficient action, the impending destruction from climate change would destroy much of our precious cultural heritage regardless. Eco-vandalism as a performance art reminds us of this reality, and the distress we feel at the potential loss of art prods us to protect the natural world with equal passion. Moreover, these acts of vandalism disrupt the status quo, forcing people to confront uncomfortable truths. By targeting symbols of wealth and privilege, such as renowned artworks housed in prestigious institutions, it highlights the disproportionate impact of climate change on marginalized communities often overlooked in mainstream discussions. It can also serve as a symbolic protest against the capitalist systems that drive environmental destruction. Eco-vandalism may be controversial, but it is most effective at provoking thought and action.
Con Alice
Eco-vandalism may be counterproductive in the long run as it alienates potential allies and detracts from the credibility of the climate movement. These acts of vandalism have inadvertently reinforced negative stereotypes about environmental activists as radical extremists, making it easier for opponents to dismiss legitimate concerns about climate change. They undermine efforts to build broad-based coalitions and garner public support for meaningful solutions. As much as I can understand the despair of the climate activists, damaging precious pieces of history and culture is not the way to go. Instead of engaging in destructive behavior, activists should pursue more constructive and ethical forms of protest that advance the cause, such as advocating for policy reforms, promoting sustainable practices, and mobilizing communities to demand action from governments and corporations.
Judge’s Comments
That concludes today’s debate. The effectiveness of eco-vandalism remains open to question. While it undoubtedly succeeds in drawing attention, we cannot underestimate its potential to alienate the public. What do you think about this method of protest?
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"context_kr" => "무엇에 대한 내용인가?
최근에, 기후 행동가들은 기후 위기의 긴급성을 강조하기 위해 상징적인 그림과 기타 문화 자산을 표적으로 삼아 헤드라인을 장식하고 있습니다.
일부는 대중의 관심을 끌기 위해 이러한 과감한 조치들이 필요하다고 주장하는 반면, 다른 사람들은 이러한 조치들이 궁극적으로 기후 행동에 대한 광범위한 움직임에 도움이 되는지 아니면 해가 되는지에 대해 의문을 제기합니다.
그렇다면 미술품을 훼손하는 것이 효과적인 항의 수단일까요?
알아봅시다.
찬성
찬성 핀
유명 예술품의 반달리즘은 기후 저항의 강력한 형태입니다.
극적일 수도 있지만, 그것은 사회가 더 이상 문제를 무시할 수 없도록 보장합니다.
기후 변화의 임박한 영향에 대한 수십 년의 인식에도 불구하고 화석 연료는 여전히 주요 세계 에너지원으로 남아 있습니다.
저스트 스톱 오일과 라스트 제너레이션과 같은 행동가 단체는 이러한 긴급성 부족에 대한 대응으로 유명한 그림과 문화 기념물의 외관을 훼손하는 데 의존하여, 그 원인을 이 걸작들의 명성으로 높이기를 희망합니다.
그리고 이 접근법은 세계적인 규모로 대화를 촉발하고 매스컴의 보도량을 생성하며, 영향을 미쳤습니다.
잠재적인 피해는 안타깝지만, 우리는 시간이 촉박하고, 몇 개의 예술작품을 파괴하는 것은 기후변화가 가져올 파괴적인 결과에 비하면 무시해도 될 정도 입니다.
반대 앨리스
유명한 예술의 반달리즘은 다른 사람들을 불편하게 하며 더 많은 문제를 만들기 때문에, 효과적인 기후 시위의 형태가 아닙니다.
92명의 저명한 기관장들이 온라인에 발표한 공동 성명에 따르면, 예술 공격의 배후에 있는 활동가들은 이러한 대체할 수 없는 물체들의 취약성을 심각하게 과소평가합니다.
대부분이 유리 덮개 뒤에 있기 때문에, 최근의 친환경 반달리즘 사례들이 상징적인 그림에 영구적인 손상을 입히지는 않았지만, 일부 박물관들은 경미한 손상을 보고했습니다.
이러한 반달리즘 행위는 박물관과 갤러리들이 그들의 예술 작품들에 대한 수리 및 추가적인 보호 조치에 대한 추가적인 비용을 발생하게 했습니다.
더욱이, 둘 다 똑같이 중요하기 때문에, 우리는 환경을 보호하기 위해 우리의 문화 유산을 희생해서는 안 됩니다.
이러한 예술 작품들을 위험에 빠뜨리는 것은 미래 세대들이 그것들을 감상하고 배울 수 있는 기회를 박탈하는 것을 의미합니다.
반론
찬성 핀
우리가 충분한 조치를 취하지 않는다면, 기후 변화로 인한 임박한 파괴는 상관없이 우리의 소중한 문화 유산의 많은 부분을 파괴할 것입니다.
공연 예술로서의 친환경 반달리즘은 우리에게 이러한 현실을 상기시키며, 우리가 예술의 잠재적 손실에 대해 느끼는 고통은 우리에게 동등한 열정으로 자연계를 보호하도록 촉구합니다.
게다가, 이러한 반달리즘의 행위는 사람들이 불편한 진실에 맞서도록 강요하며, 현상을 방해합니다.
명망 있는 기관에 소장된 유명한 예술품과 같은, 부와 특권의 상징을 대상으로 함으로써 주류 논의에서 종종 간과되는 소외된 공동체에 대한 기후 변화의 불균형적인 영향을 강조합니다.
또한 환경 파괴를 주도하는 자본주의 체제에 대한 상징적인 항의 역할을 할 수 있습니다
친환경 반달리즘은 역효과를 낳을 수 있지만, 생각과 행동을 자극하는 데 가장 효과적입니다.
반대 앨리스
친환경 반달리즘은 잠재적인 동맹국들이 소외감을 느끼고 기후 운동의 신뢰성을 떨어뜨리기 때문에 장기적으로 역효과를 낳을 수도 있습니다.
이러한 반달리즘의 행위는 무심코 급진적 극단주의자로서 환경운동가들에 대한 부정적인 고정관념을 강화함으로써, 반대자들이 기후변화에 대한 정당한 우려를 더 쉽게 일축할 수 있게 합니다.
그들은 광범위한 연합을 구축하고 의미 있는 해결책에 대한 대중의 지지를 얻기 위한 노력을 약화시킵니다.
제가 기후운동가들의 절망을 이해할 수 있는 한, 소중한 역사와 문화를 훼손하는 것은 옳지 않습니다.
파괴적인 행동에 가담하는 대신, 활동가들은 정책 개혁 옹호, 지속 가능한 관행 장려, 그리고 지역 사회 동원을 통해 정부와 기업에 조치를 요구하는 등 대의를 진전시키는 보다 건설적이고 윤리적인 형태의 항의를 추구해야 합니다.
심사위원의 총평
이것으로 오늘의 토론을 마치겠습니다.
친환경 반달리즘의 효과는 여전히 의문의 여지가 있습니다.
관심을 끄는 데는 성공하지만 대중을 소외시킬 수 있는 잠재력을 과소평가할 수는 없습니다. What do you think about this method of protest?
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4. What are the main arguments made by the second speech of the con side? <br>
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"context" => "<table border="0" cellspacing="1" cellpadding="5" bgcolor="#cccccc"><tr><td bgcolor="#FFFFFF" align="center" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="3"><tr><td valign="top"><div align="left"><img src="http://f1.timescore.co.kr/teentimes/newspaper/img/1184_debate_01.jpg" width="200" align="right" alt="0" style="padding:10px;" class="s_newsimg_over" title="이미지를 클릭하시면 확대 됩니다" /><strong>What’s This About?</strong><br /><br />In recent times, climate activists have been making headlines by targeting iconic paintings and other cultural assets to highlight the urgency of the climate crisis. While some argue that such drastic measures are necessary to capture public attention, others question whether these actions ultimately benefit or harm the broader movement for climate action. So, is vandalizing art an effective means of protest? Let’s find out.<br /><br /><br />Constructive<br /><br />Pro Finn<br /><br />Vandalism of famous art is a powerful form of climate protest. Dramatic as it may be, it ensures that society can no longer ignore the issue. Despite decades of awareness of the imminent effects of climate change, fossil fuels remain the primary global energy source. Activist groups such as Just Stop Oil and Last Generation have resorted to defacing famous paintings and cultural monuments in response to this lack of urgency, hoping to elevate their cause to the prominence of these masterpieces. And this approach has made an impact, sparking conversations and generating media coverage on a global scale. While any potential damage is regrettable, we are running out of time, and the destruction of a few artworks is negligible compared to the devastating consequences of climate change.<br /><br /><br />Con Alice<br /><br />Vandalism of famous art is not an effective form of climate protest as it creates more problems, inconveniencing others. According to a joint statement published online by 92 directors of high-profile institutions, the activists behind the attacks on art severely underestimate the fragility of these irreplaceable objects. While the recent eco-vandalism cases have not caused permanent damage to iconic paintings, as most are behind glass coverings, some museums have reported minor damage. These acts of vandalism have led museums and galleries to incur further costs for repair and additional protective measures for their artworks. Furthermore, we must not sacrifice our cultural heritage to protect the environment, as both are equally important. Risking these works of art would mean depriving future generations of the opportunity to appreciate and learn from them.<br /><br /><br />Rebuttal<br /><br />Pro Finn<br /><br />Should we not take sufficient action, the impending destruction from climate change would destroy much of our precious cultural heritage regardless. Eco-vandalism as a performance art reminds us of this reality, and the distress we feel at the potential loss of art prods us to protect the natural world with equal passion. Moreover, these acts of vandalism disrupt the status quo, forcing people to confront uncomfortable truths. By targeting symbols of wealth and privilege, such as renowned artworks housed in prestigious institutions, it highlights the disproportionate impact of climate change on marginalized communities often overlooked in mainstream discussions. It can also serve as a symbolic protest against the capitalist systems that drive environmental destruction. Eco-vandalism may be controversial, but it is most effective at provoking thought and action.<br /><br /><br />Con Alice<br /><br />Eco-vandalism may be counterproductive in the long run as it alienates potential allies and detracts from the credibility of the climate movement. These acts of vandalism have inadvertently reinforced negative stereotypes about environmental activists as radical extremists, making it easier for opponents to dismiss legitimate concerns about climate change. They undermine efforts to build broad-based coalitions and garner public support for meaningful solutions. As much as I can understand the despair of the climate activists, damaging precious pieces of history and culture is not the way to go. Instead of engaging in destructive behavior, activists should pursue more constructive and ethical forms of protest that advance the cause, such as advocating for policy reforms, promoting sustainable practices, and mobilizing communities to demand action from governments and corporations.<br /><br /><br />Judge’s Comments<br /><br />That concludes today’s debate. The effectiveness of eco-vandalism remains open to question. While it undoubtedly succeeds in drawing attention, we cannot underestimate its potential to alienate the public. What do you think about this method of protest?<br /><br /></div></td></tr><tr><td valign="top"><div align="right">Yesel Kang<br>Copy Editor<br>teen/1716769777/1613367727</div></td></tr></table></td></tr></table>",
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In recent times, climate activists have been making headlines by targeting iconic paintings and other cultural assets to highlight the urgency of the climate crisis. While some argue that such drastic measures are necessary to capture public attention, others question whether these actions ultimately benefit or harm the broader movement for climate action. So, is vandalizing art an effective means of protest? Let’s find out.
Constructive
Pro Finn
Vandalism of famous art is a powerful form of climate protest. Dramatic as it may be, it ensures that society can no longer ignore the issue. Despite decades of awareness of the imminent effects of climate change, fossil fuels remain the primary global energy source. Activist groups such as Just Stop Oil and Last Generation have resorted to defacing famous paintings and cultural monuments in response to this lack of urgency, hoping to elevate their cause to the prominence of these masterpieces. And this approach has made an impact, sparking conversations and generating media coverage on a global scale. While any potential damage is regrettable, we are running out of time, and the destruction of a few artworks is negligible compared to the devastating consequences of climate change.
Con Alice
Vandalism of famous art is not an effective form of climate protest as it creates more problems, inconveniencing others. According to a joint statement published online by 92 directors of high-profile institutions, the activists behind the attacks on art severely underestimate the fragility of these irreplaceable objects. While the recent eco-vandalism cases have not caused permanent damage to iconic paintings, as most are behind glass coverings, some museums have reported minor damage. These acts of vandalism have led museums and galleries to incur further costs for repair and additional protective measures for their artworks. Furthermore, we must not sacrifice our cultural heritage to protect the environment, as both are equally important. Risking these works of art would mean depriving future generations of the opportunity to appreciate and learn from them.
Rebuttal
Pro Finn
Should we not take sufficient action, the impending destruction from climate change would destroy much of our precious cultural heritage regardless. Eco-vandalism as a performance art reminds us of this reality, and the distress we feel at the potential loss of art prods us to protect the natural world with equal passion. Moreover, these acts of vandalism disrupt the status quo, forcing people to confront uncomfortable truths. By targeting symbols of wealth and privilege, such as renowned artworks housed in prestigious institutions, it highlights the disproportionate impact of climate change on marginalized communities often overlooked in mainstream discussions. It can also serve as a symbolic protest against the capitalist systems that drive environmental destruction. Eco-vandalism may be controversial, but it is most effective at provoking thought and action.
Con Alice
Eco-vandalism may be counterproductive in the long run as it alienates potential allies and detracts from the credibility of the climate movement. These acts of vandalism have inadvertently reinforced negative stereotypes about environmental activists as radical extremists, making it easier for opponents to dismiss legitimate concerns about climate change. They undermine efforts to build broad-based coalitions and garner public support for meaningful solutions. As much as I can understand the despair of the climate activists, damaging precious pieces of history and culture is not the way to go. Instead of engaging in destructive behavior, activists should pursue more constructive and ethical forms of protest that advance the cause, such as advocating for policy reforms, promoting sustainable practices, and mobilizing communities to demand action from governments and corporations.
Judge’s Comments
That concludes today’s debate. The effectiveness of eco-vandalism remains open to question. While it undoubtedly succeeds in drawing attention, we cannot underestimate its potential to alienate the public. What do you think about this method of protest?
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"context_kr" => "무엇에 대한 내용인가?
최근에, 기후 행동가들은 기후 위기의 긴급성을 강조하기 위해 상징적인 그림과 기타 문화 자산을 표적으로 삼아 헤드라인을 장식하고 있습니다.
일부는 대중의 관심을 끌기 위해 이러한 과감한 조치들이 필요하다고 주장하는 반면, 다른 사람들은 이러한 조치들이 궁극적으로 기후 행동에 대한 광범위한 움직임에 도움이 되는지 아니면 해가 되는지에 대해 의문을 제기합니다.
그렇다면 미술품을 훼손하는 것이 효과적인 항의 수단일까요?
알아봅시다.
찬성
찬성 핀
유명 예술품의 반달리즘은 기후 저항의 강력한 형태입니다.
극적일 수도 있지만, 그것은 사회가 더 이상 문제를 무시할 수 없도록 보장합니다.
기후 변화의 임박한 영향에 대한 수십 년의 인식에도 불구하고 화석 연료는 여전히 주요 세계 에너지원으로 남아 있습니다.
저스트 스톱 오일과 라스트 제너레이션과 같은 행동가 단체는 이러한 긴급성 부족에 대한 대응으로 유명한 그림과 문화 기념물의 외관을 훼손하는 데 의존하여, 그 원인을 이 걸작들의 명성으로 높이기를 희망합니다.
그리고 이 접근법은 세계적인 규모로 대화를 촉발하고 매스컴의 보도량을 생성하며, 영향을 미쳤습니다.
잠재적인 피해는 안타깝지만, 우리는 시간이 촉박하고, 몇 개의 예술작품을 파괴하는 것은 기후변화가 가져올 파괴적인 결과에 비하면 무시해도 될 정도 입니다.
반대 앨리스
유명한 예술의 반달리즘은 다른 사람들을 불편하게 하며 더 많은 문제를 만들기 때문에, 효과적인 기후 시위의 형태가 아닙니다.
92명의 저명한 기관장들이 온라인에 발표한 공동 성명에 따르면, 예술 공격의 배후에 있는 활동가들은 이러한 대체할 수 없는 물체들의 취약성을 심각하게 과소평가합니다.
대부분이 유리 덮개 뒤에 있기 때문에, 최근의 친환경 반달리즘 사례들이 상징적인 그림에 영구적인 손상을 입히지는 않았지만, 일부 박물관들은 경미한 손상을 보고했습니다.
이러한 반달리즘 행위는 박물관과 갤러리들이 그들의 예술 작품들에 대한 수리 및 추가적인 보호 조치에 대한 추가적인 비용을 발생하게 했습니다.
더욱이, 둘 다 똑같이 중요하기 때문에, 우리는 환경을 보호하기 위해 우리의 문화 유산을 희생해서는 안 됩니다.
이러한 예술 작품들을 위험에 빠뜨리는 것은 미래 세대들이 그것들을 감상하고 배울 수 있는 기회를 박탈하는 것을 의미합니다.
반론
찬성 핀
우리가 충분한 조치를 취하지 않는다면, 기후 변화로 인한 임박한 파괴는 상관없이 우리의 소중한 문화 유산의 많은 부분을 파괴할 것입니다.
공연 예술로서의 친환경 반달리즘은 우리에게 이러한 현실을 상기시키며, 우리가 예술의 잠재적 손실에 대해 느끼는 고통은 우리에게 동등한 열정으로 자연계를 보호하도록 촉구합니다.
게다가, 이러한 반달리즘의 행위는 사람들이 불편한 진실에 맞서도록 강요하며, 현상을 방해합니다.
명망 있는 기관에 소장된 유명한 예술품과 같은, 부와 특권의 상징을 대상으로 함으로써 주류 논의에서 종종 간과되는 소외된 공동체에 대한 기후 변화의 불균형적인 영향을 강조합니다.
또한 환경 파괴를 주도하는 자본주의 체제에 대한 상징적인 항의 역할을 할 수 있습니다
친환경 반달리즘은 역효과를 낳을 수 있지만, 생각과 행동을 자극하는 데 가장 효과적입니다.
반대 앨리스
친환경 반달리즘은 잠재적인 동맹국들이 소외감을 느끼고 기후 운동의 신뢰성을 떨어뜨리기 때문에 장기적으로 역효과를 낳을 수도 있습니다.
이러한 반달리즘의 행위는 무심코 급진적 극단주의자로서 환경운동가들에 대한 부정적인 고정관념을 강화함으로써, 반대자들이 기후변화에 대한 정당한 우려를 더 쉽게 일축할 수 있게 합니다.
그들은 광범위한 연합을 구축하고 의미 있는 해결책에 대한 대중의 지지를 얻기 위한 노력을 약화시킵니다.
제가 기후운동가들의 절망을 이해할 수 있는 한, 소중한 역사와 문화를 훼손하는 것은 옳지 않습니다.
파괴적인 행동에 가담하는 대신, 활동가들은 정책 개혁 옹호, 지속 가능한 관행 장려, 그리고 지역 사회 동원을 통해 정부와 기업에 조치를 요구하는 등 대의를 진전시키는 보다 건설적이고 윤리적인 형태의 항의를 추구해야 합니다.
심사위원의 총평
이것으로 오늘의 토론을 마치겠습니다.
친환경 반달리즘의 효과는 여전히 의문의 여지가 있습니다.
관심을 끄는 데는 성공하지만 대중을 소외시킬 수 있는 잠재력을 과소평가할 수는 없습니다. What do you think about this method of protest?
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"wordtip" => "climate action 기후 행동 (국가 혹은 국제적으로 기후 변화에 대응하기 위한 정책, 실질적인 노력) / imminent 목전의, 임박한 / deface 외관을 훼손하다 / media coverage (특정 사건에 대한) 매스컴의 보도(량) / negligible (중요성·규모가 작아) 무시해도 될 정도의 / prod 재촉[촉구]하다 / privilege 특권 / mainstream (사상·견해 등의) 주류[대세] / counterproductive 역효과를 낳는 / alienate 소외감을 느끼게 하다 / detract from ~을 손상시키다 / credibility 신뢰성 / inadvertently 무심코, 우연히, 부주의로 / reinforce 강화하다 / coalition 연합",
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"comprehension" => "1. What are the main arguments made by the first speech of the pro side? <br>
2. What are the main arguments made by the first speech of the con side? <br>
3. What are the main arguments made by the second speech of the pro side? <br>
4. What are the main arguments made by the second speech of the con side? <br>
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2. Do you agree with the arguments of the con side? Explain why or why not. <br>
3. Which side has more convincing arguments? Explain your reasoning. <br>
4. What are some things you would like to destroy or vandalize? Explain. <br>
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<p class="edu_sub_title_txt">Is Eco-Vandalism Effective at Driving Climate Action?</p>
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"context_text" => "<strong>What’s This About?</strong>
In recent times, climate activists have been making headlines by targeting iconic paintings and other cultural assets to highlight the urgency of the climate crisis. While some argue that such drastic measures are necessary to capture public attention, others question whether these actions ultimately benefit or harm the broader movement for climate action. So, is vandalizing art an effective means of protest? Let’s find out.
Constructive
Pro Finn
Vandalism of famous art is a powerful form of climate protest. Dramatic as it may be, it ensures that society can no longer ignore the issue. Despite decades of awareness of the imminent effects of climate change, fossil fuels remain the primary global energy source. Activist groups such as Just Stop Oil and Last Generation have resorted to defacing famous paintings and cultural monuments in response to this lack of urgency, hoping to elevate their cause to the prominence of these masterpieces. And this approach has made an impact, sparking conversations and generating media coverage on a global scale. While any potential damage is regrettable, we are running out of time, and the destruction of a few artworks is negligible compared to the devastating consequences of climate change.
Con Alice
Vandalism of famous art is not an effective form of climate protest as it creates more problems, inconveniencing others. According to a joint statement published online by 92 directors of high-profile institutions, the activists behind the attacks on art severely underestimate the fragility of these irreplaceable objects. While the recent eco-vandalism cases have not caused permanent damage to iconic paintings, as most are behind glass coverings, some museums have reported minor damage. These acts of vandalism have led museums and galleries to incur further costs for repair and additional protective measures for their artworks. Furthermore, we must not sacrifice our cultural heritage to protect the environment, as both are equally important. Risking these works of art would mean depriving future generations of the opportunity to appreciate and learn from them.
Rebuttal
Pro Finn
Should we not take sufficient action, the impending destruction from climate change would destroy much of our precious cultural heritage regardless. Eco-vandalism as a performance art reminds us of this reality, and the distress we feel at the potential loss of art prods us to protect the natural world with equal passion. Moreover, these acts of vandalism disrupt the status quo, forcing people to confront uncomfortable truths. By targeting symbols of wealth and privilege, such as renowned artworks housed in prestigious institutions, it highlights the disproportionate impact of climate change on marginalized communities often overlooked in mainstream discussions. It can also serve as a symbolic protest against the capitalist systems that drive environmental destruction. Eco-vandalism may be controversial, but it is most effective at provoking thought and action.
Con Alice
Eco-vandalism may be counterproductive in the long run as it alienates potential allies and detracts from the credibility of the climate movement. These acts of vandalism have inadvertently reinforced negative stereotypes about environmental activists as radical extremists, making it easier for opponents to dismiss legitimate concerns about climate change. They undermine efforts to build broad-based coalitions and garner public support for meaningful solutions. As much as I can understand the despair of the climate activists, damaging precious pieces of history and culture is not the way to go. Instead of engaging in destructive behavior, activists should pursue more constructive and ethical forms of protest that advance the cause, such as advocating for policy reforms, promoting sustainable practices, and mobilizing communities to demand action from governments and corporations.
Judge’s Comments
That concludes today’s debate. The effectiveness of eco-vandalism remains open to question. While it undoubtedly succeeds in drawing attention, we cannot underestimate its potential to alienate the public. What do you think about this method of protest?
",
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"context_kr" => "무엇에 대한 내용인가?
최근에, 기후 행동가들은 기후 위기의 긴급성을 강조하기 위해 상징적인 그림과 기타 문화 자산을 표적으로 삼아 헤드라인을 장식하고 있습니다.
일부는 대중의 관심을 끌기 위해 이러한 과감한 조치들이 필요하다고 주장하는 반면, 다른 사람들은 이러한 조치들이 궁극적으로 기후 행동에 대한 광범위한 움직임에 도움이 되는지 아니면 해가 되는지에 대해 의문을 제기합니다.
그렇다면 미술품을 훼손하는 것이 효과적인 항의 수단일까요?
알아봅시다.
찬성
찬성 핀
유명 예술품의 반달리즘은 기후 저항의 강력한 형태입니다.
극적일 수도 있지만, 그것은 사회가 더 이상 문제를 무시할 수 없도록 보장합니다.
기후 변화의 임박한 영향에 대한 수십 년의 인식에도 불구하고 화석 연료는 여전히 주요 세계 에너지원으로 남아 있습니다.
저스트 스톱 오일과 라스트 제너레이션과 같은 행동가 단체는 이러한 긴급성 부족에 대한 대응으로 유명한 그림과 문화 기념물의 외관을 훼손하는 데 의존하여, 그 원인을 이 걸작들의 명성으로 높이기를 희망합니다.
그리고 이 접근법은 세계적인 규모로 대화를 촉발하고 매스컴의 보도량을 생성하며, 영향을 미쳤습니다.
잠재적인 피해는 안타깝지만, 우리는 시간이 촉박하고, 몇 개의 예술작품을 파괴하는 것은 기후변화가 가져올 파괴적인 결과에 비하면 무시해도 될 정도 입니다.
반대 앨리스
유명한 예술의 반달리즘은 다른 사람들을 불편하게 하며 더 많은 문제를 만들기 때문에, 효과적인 기후 시위의 형태가 아닙니다.
92명의 저명한 기관장들이 온라인에 발표한 공동 성명에 따르면, 예술 공격의 배후에 있는 활동가들은 이러한 대체할 수 없는 물체들의 취약성을 심각하게 과소평가합니다.
대부분이 유리 덮개 뒤에 있기 때문에, 최근의 친환경 반달리즘 사례들이 상징적인 그림에 영구적인 손상을 입히지는 않았지만, 일부 박물관들은 경미한 손상을 보고했습니다.
이러한 반달리즘 행위는 박물관과 갤러리들이 그들의 예술 작품들에 대한 수리 및 추가적인 보호 조치에 대한 추가적인 비용을 발생하게 했습니다.
더욱이, 둘 다 똑같이 중요하기 때문에, 우리는 환경을 보호하기 위해 우리의 문화 유산을 희생해서는 안 됩니다.
이러한 예술 작품들을 위험에 빠뜨리는 것은 미래 세대들이 그것들을 감상하고 배울 수 있는 기회를 박탈하는 것을 의미합니다.
반론
찬성 핀
우리가 충분한 조치를 취하지 않는다면, 기후 변화로 인한 임박한 파괴는 상관없이 우리의 소중한 문화 유산의 많은 부분을 파괴할 것입니다.
공연 예술로서의 친환경 반달리즘은 우리에게 이러한 현실을 상기시키며, 우리가 예술의 잠재적 손실에 대해 느끼는 고통은 우리에게 동등한 열정으로 자연계를 보호하도록 촉구합니다.
게다가, 이러한 반달리즘의 행위는 사람들이 불편한 진실에 맞서도록 강요하며, 현상을 방해합니다.
명망 있는 기관에 소장된 유명한 예술품과 같은, 부와 특권의 상징을 대상으로 함으로써 주류 논의에서 종종 간과되는 소외된 공동체에 대한 기후 변화의 불균형적인 영향을 강조합니다.
또한 환경 파괴를 주도하는 자본주의 체제에 대한 상징적인 항의 역할을 할 수 있습니다
친환경 반달리즘은 역효과를 낳을 수 있지만, 생각과 행동을 자극하는 데 가장 효과적입니다.
반대 앨리스
친환경 반달리즘은 잠재적인 동맹국들이 소외감을 느끼고 기후 운동의 신뢰성을 떨어뜨리기 때문에 장기적으로 역효과를 낳을 수도 있습니다.
이러한 반달리즘의 행위는 무심코 급진적 극단주의자로서 환경운동가들에 대한 부정적인 고정관념을 강화함으로써, 반대자들이 기후변화에 대한 정당한 우려를 더 쉽게 일축할 수 있게 합니다.
그들은 광범위한 연합을 구축하고 의미 있는 해결책에 대한 대중의 지지를 얻기 위한 노력을 약화시킵니다.
제가 기후운동가들의 절망을 이해할 수 있는 한, 소중한 역사와 문화를 훼손하는 것은 옳지 않습니다.
파괴적인 행동에 가담하는 대신, 활동가들은 정책 개혁 옹호, 지속 가능한 관행 장려, 그리고 지역 사회 동원을 통해 정부와 기업에 조치를 요구하는 등 대의를 진전시키는 보다 건설적이고 윤리적인 형태의 항의를 추구해야 합니다.
심사위원의 총평
이것으로 오늘의 토론을 마치겠습니다.
친환경 반달리즘의 효과는 여전히 의문의 여지가 있습니다.
관심을 끄는 데는 성공하지만 대중을 소외시킬 수 있는 잠재력을 과소평가할 수는 없습니다. What do you think about this method of protest?
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<p class="edu_sub_top_txt_r">HOME > LEVEL3</p>
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"context" => "<table border="0" cellspacing="1" cellpadding="5" bgcolor="#cccccc"><tr><td bgcolor="#FFFFFF" align="center" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="3"><tr><td valign="top"><div align="left"><img src="http://f1.timescore.co.kr/teentimes/newspaper/img/1184_debate_01.jpg" width="200" align="right" alt="0" style="padding:10px;" class="s_newsimg_over" title="이미지를 클릭하시면 확대 됩니다" /><strong>What’s This About?</strong><br /><br />In recent times, climate activists have been making headlines by targeting iconic paintings and other cultural assets to highlight the urgency of the climate crisis. While some argue that such drastic measures are necessary to capture public attention, others question whether these actions ultimately benefit or harm the broader movement for climate action. So, is vandalizing art an effective means of protest? Let’s find out.<br /><br /><br />Constructive<br /><br />Pro Finn<br /><br />Vandalism of famous art is a powerful form of climate protest. Dramatic as it may be, it ensures that society can no longer ignore the issue. Despite decades of awareness of the imminent effects of climate change, fossil fuels remain the primary global energy source. Activist groups such as Just Stop Oil and Last Generation have resorted to defacing famous paintings and cultural monuments in response to this lack of urgency, hoping to elevate their cause to the prominence of these masterpieces. And this approach has made an impact, sparking conversations and generating media coverage on a global scale. While any potential damage is regrettable, we are running out of time, and the destruction of a few artworks is negligible compared to the devastating consequences of climate change.<br /><br /><br />Con Alice<br /><br />Vandalism of famous art is not an effective form of climate protest as it creates more problems, inconveniencing others. According to a joint statement published online by 92 directors of high-profile institutions, the activists behind the attacks on art severely underestimate the fragility of these irreplaceable objects. While the recent eco-vandalism cases have not caused permanent damage to iconic paintings, as most are behind glass coverings, some museums have reported minor damage. These acts of vandalism have led museums and galleries to incur further costs for repair and additional protective measures for their artworks. Furthermore, we must not sacrifice our cultural heritage to protect the environment, as both are equally important. Risking these works of art would mean depriving future generations of the opportunity to appreciate and learn from them.<br /><br /><br />Rebuttal<br /><br />Pro Finn<br /><br />Should we not take sufficient action, the impending destruction from climate change would destroy much of our precious cultural heritage regardless. Eco-vandalism as a performance art reminds us of this reality, and the distress we feel at the potential loss of art prods us to protect the natural world with equal passion. Moreover, these acts of vandalism disrupt the status quo, forcing people to confront uncomfortable truths. By targeting symbols of wealth and privilege, such as renowned artworks housed in prestigious institutions, it highlights the disproportionate impact of climate change on marginalized communities often overlooked in mainstream discussions. It can also serve as a symbolic protest against the capitalist systems that drive environmental destruction. Eco-vandalism may be controversial, but it is most effective at provoking thought and action.<br /><br /><br />Con Alice<br /><br />Eco-vandalism may be counterproductive in the long run as it alienates potential allies and detracts from the credibility of the climate movement. These acts of vandalism have inadvertently reinforced negative stereotypes about environmental activists as radical extremists, making it easier for opponents to dismiss legitimate concerns about climate change. They undermine efforts to build broad-based coalitions and garner public support for meaningful solutions. As much as I can understand the despair of the climate activists, damaging precious pieces of history and culture is not the way to go. Instead of engaging in destructive behavior, activists should pursue more constructive and ethical forms of protest that advance the cause, such as advocating for policy reforms, promoting sustainable practices, and mobilizing communities to demand action from governments and corporations.<br /><br /><br />Judge’s Comments<br /><br />That concludes today’s debate. The effectiveness of eco-vandalism remains open to question. While it undoubtedly succeeds in drawing attention, we cannot underestimate its potential to alienate the public. What do you think about this method of protest?<br /><br /></div></td></tr><tr><td valign="top"><div align="right">Yesel Kang<br>Copy Editor<br>teen/1716769777/1613367727</div></td></tr></table></td></tr></table>",
"context_text" => "<strong>What’s This About?</strong>
In recent times, climate activists have been making headlines by targeting iconic paintings and other cultural assets to highlight the urgency of the climate crisis. While some argue that such drastic measures are necessary to capture public attention, others question whether these actions ultimately benefit or harm the broader movement for climate action. So, is vandalizing art an effective means of protest? Let’s find out.
Constructive
Pro Finn
Vandalism of famous art is a powerful form of climate protest. Dramatic as it may be, it ensures that society can no longer ignore the issue. Despite decades of awareness of the imminent effects of climate change, fossil fuels remain the primary global energy source. Activist groups such as Just Stop Oil and Last Generation have resorted to defacing famous paintings and cultural monuments in response to this lack of urgency, hoping to elevate their cause to the prominence of these masterpieces. And this approach has made an impact, sparking conversations and generating media coverage on a global scale. While any potential damage is regrettable, we are running out of time, and the destruction of a few artworks is negligible compared to the devastating consequences of climate change.
Con Alice
Vandalism of famous art is not an effective form of climate protest as it creates more problems, inconveniencing others. According to a joint statement published online by 92 directors of high-profile institutions, the activists behind the attacks on art severely underestimate the fragility of these irreplaceable objects. While the recent eco-vandalism cases have not caused permanent damage to iconic paintings, as most are behind glass coverings, some museums have reported minor damage. These acts of vandalism have led museums and galleries to incur further costs for repair and additional protective measures for their artworks. Furthermore, we must not sacrifice our cultural heritage to protect the environment, as both are equally important. Risking these works of art would mean depriving future generations of the opportunity to appreciate and learn from them.
Rebuttal
Pro Finn
Should we not take sufficient action, the impending destruction from climate change would destroy much of our precious cultural heritage regardless. Eco-vandalism as a performance art reminds us of this reality, and the distress we feel at the potential loss of art prods us to protect the natural world with equal passion. Moreover, these acts of vandalism disrupt the status quo, forcing people to confront uncomfortable truths. By targeting symbols of wealth and privilege, such as renowned artworks housed in prestigious institutions, it highlights the disproportionate impact of climate change on marginalized communities often overlooked in mainstream discussions. It can also serve as a symbolic protest against the capitalist systems that drive environmental destruction. Eco-vandalism may be controversial, but it is most effective at provoking thought and action.
Con Alice
Eco-vandalism may be counterproductive in the long run as it alienates potential allies and detracts from the credibility of the climate movement. These acts of vandalism have inadvertently reinforced negative stereotypes about environmental activists as radical extremists, making it easier for opponents to dismiss legitimate concerns about climate change. They undermine efforts to build broad-based coalitions and garner public support for meaningful solutions. As much as I can understand the despair of the climate activists, damaging precious pieces of history and culture is not the way to go. Instead of engaging in destructive behavior, activists should pursue more constructive and ethical forms of protest that advance the cause, such as advocating for policy reforms, promoting sustainable practices, and mobilizing communities to demand action from governments and corporations.
Judge’s Comments
That concludes today’s debate. The effectiveness of eco-vandalism remains open to question. While it undoubtedly succeeds in drawing attention, we cannot underestimate its potential to alienate the public. What do you think about this method of protest?
",
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"context_kr" => "무엇에 대한 내용인가?
최근에, 기후 행동가들은 기후 위기의 긴급성을 강조하기 위해 상징적인 그림과 기타 문화 자산을 표적으로 삼아 헤드라인을 장식하고 있습니다.
일부는 대중의 관심을 끌기 위해 이러한 과감한 조치들이 필요하다고 주장하는 반면, 다른 사람들은 이러한 조치들이 궁극적으로 기후 행동에 대한 광범위한 움직임에 도움이 되는지 아니면 해가 되는지에 대해 의문을 제기합니다.
그렇다면 미술품을 훼손하는 것이 효과적인 항의 수단일까요?
알아봅시다.
찬성
찬성 핀
유명 예술품의 반달리즘은 기후 저항의 강력한 형태입니다.
극적일 수도 있지만, 그것은 사회가 더 이상 문제를 무시할 수 없도록 보장합니다.
기후 변화의 임박한 영향에 대한 수십 년의 인식에도 불구하고 화석 연료는 여전히 주요 세계 에너지원으로 남아 있습니다.
저스트 스톱 오일과 라스트 제너레이션과 같은 행동가 단체는 이러한 긴급성 부족에 대한 대응으로 유명한 그림과 문화 기념물의 외관을 훼손하는 데 의존하여, 그 원인을 이 걸작들의 명성으로 높이기를 희망합니다.
그리고 이 접근법은 세계적인 규모로 대화를 촉발하고 매스컴의 보도량을 생성하며, 영향을 미쳤습니다.
잠재적인 피해는 안타깝지만, 우리는 시간이 촉박하고, 몇 개의 예술작품을 파괴하는 것은 기후변화가 가져올 파괴적인 결과에 비하면 무시해도 될 정도 입니다.
반대 앨리스
유명한 예술의 반달리즘은 다른 사람들을 불편하게 하며 더 많은 문제를 만들기 때문에, 효과적인 기후 시위의 형태가 아닙니다.
92명의 저명한 기관장들이 온라인에 발표한 공동 성명에 따르면, 예술 공격의 배후에 있는 활동가들은 이러한 대체할 수 없는 물체들의 취약성을 심각하게 과소평가합니다.
대부분이 유리 덮개 뒤에 있기 때문에, 최근의 친환경 반달리즘 사례들이 상징적인 그림에 영구적인 손상을 입히지는 않았지만, 일부 박물관들은 경미한 손상을 보고했습니다.
이러한 반달리즘 행위는 박물관과 갤러리들이 그들의 예술 작품들에 대한 수리 및 추가적인 보호 조치에 대한 추가적인 비용을 발생하게 했습니다.
더욱이, 둘 다 똑같이 중요하기 때문에, 우리는 환경을 보호하기 위해 우리의 문화 유산을 희생해서는 안 됩니다.
이러한 예술 작품들을 위험에 빠뜨리는 것은 미래 세대들이 그것들을 감상하고 배울 수 있는 기회를 박탈하는 것을 의미합니다.
반론
찬성 핀
우리가 충분한 조치를 취하지 않는다면, 기후 변화로 인한 임박한 파괴는 상관없이 우리의 소중한 문화 유산의 많은 부분을 파괴할 것입니다.
공연 예술로서의 친환경 반달리즘은 우리에게 이러한 현실을 상기시키며, 우리가 예술의 잠재적 손실에 대해 느끼는 고통은 우리에게 동등한 열정으로 자연계를 보호하도록 촉구합니다.
게다가, 이러한 반달리즘의 행위는 사람들이 불편한 진실에 맞서도록 강요하며, 현상을 방해합니다.
명망 있는 기관에 소장된 유명한 예술품과 같은, 부와 특권의 상징을 대상으로 함으로써 주류 논의에서 종종 간과되는 소외된 공동체에 대한 기후 변화의 불균형적인 영향을 강조합니다.
또한 환경 파괴를 주도하는 자본주의 체제에 대한 상징적인 항의 역할을 할 수 있습니다
친환경 반달리즘은 역효과를 낳을 수 있지만, 생각과 행동을 자극하는 데 가장 효과적입니다.
반대 앨리스
친환경 반달리즘은 잠재적인 동맹국들이 소외감을 느끼고 기후 운동의 신뢰성을 떨어뜨리기 때문에 장기적으로 역효과를 낳을 수도 있습니다.
이러한 반달리즘의 행위는 무심코 급진적 극단주의자로서 환경운동가들에 대한 부정적인 고정관념을 강화함으로써, 반대자들이 기후변화에 대한 정당한 우려를 더 쉽게 일축할 수 있게 합니다.
그들은 광범위한 연합을 구축하고 의미 있는 해결책에 대한 대중의 지지를 얻기 위한 노력을 약화시킵니다.
제가 기후운동가들의 절망을 이해할 수 있는 한, 소중한 역사와 문화를 훼손하는 것은 옳지 않습니다.
파괴적인 행동에 가담하는 대신, 활동가들은 정책 개혁 옹호, 지속 가능한 관행 장려, 그리고 지역 사회 동원을 통해 정부와 기업에 조치를 요구하는 등 대의를 진전시키는 보다 건설적이고 윤리적인 형태의 항의를 추구해야 합니다.
심사위원의 총평
이것으로 오늘의 토론을 마치겠습니다.
친환경 반달리즘의 효과는 여전히 의문의 여지가 있습니다.
관심을 끄는 데는 성공하지만 대중을 소외시킬 수 있는 잠재력을 과소평가할 수는 없습니다. What do you think about this method of protest?
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"context" => "<table border="0" cellspacing="1" cellpadding="5" bgcolor="#cccccc"><tr><td bgcolor="#FFFFFF" align="center" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="3"><tr><td valign="top"><div align="left"><img src="http://f1.timescore.co.kr/teentimes/newspaper/img/1184_debate_01.jpg" width="200" align="right" alt="0" style="padding:10px;" class="s_newsimg_over" title="이미지를 클릭하시면 확대 됩니다" /><strong>What’s This About?</strong><br /><br />In recent times, climate activists have been making headlines by targeting iconic paintings and other cultural assets to highlight the urgency of the climate crisis. While some argue that such drastic measures are necessary to capture public attention, others question whether these actions ultimately benefit or harm the broader movement for climate action. So, is vandalizing art an effective means of protest? Let’s find out.<br /><br /><br />Constructive<br /><br />Pro Finn<br /><br />Vandalism of famous art is a powerful form of climate protest. Dramatic as it may be, it ensures that society can no longer ignore the issue. Despite decades of awareness of the imminent effects of climate change, fossil fuels remain the primary global energy source. Activist groups such as Just Stop Oil and Last Generation have resorted to defacing famous paintings and cultural monuments in response to this lack of urgency, hoping to elevate their cause to the prominence of these masterpieces. And this approach has made an impact, sparking conversations and generating media coverage on a global scale. While any potential damage is regrettable, we are running out of time, and the destruction of a few artworks is negligible compared to the devastating consequences of climate change.<br /><br /><br />Con Alice<br /><br />Vandalism of famous art is not an effective form of climate protest as it creates more problems, inconveniencing others. According to a joint statement published online by 92 directors of high-profile institutions, the activists behind the attacks on art severely underestimate the fragility of these irreplaceable objects. While the recent eco-vandalism cases have not caused permanent damage to iconic paintings, as most are behind glass coverings, some museums have reported minor damage. These acts of vandalism have led museums and galleries to incur further costs for repair and additional protective measures for their artworks. Furthermore, we must not sacrifice our cultural heritage to protect the environment, as both are equally important. Risking these works of art would mean depriving future generations of the opportunity to appreciate and learn from them.<br /><br /><br />Rebuttal<br /><br />Pro Finn<br /><br />Should we not take sufficient action, the impending destruction from climate change would destroy much of our precious cultural heritage regardless. Eco-vandalism as a performance art reminds us of this reality, and the distress we feel at the potential loss of art prods us to protect the natural world with equal passion. Moreover, these acts of vandalism disrupt the status quo, forcing people to confront uncomfortable truths. By targeting symbols of wealth and privilege, such as renowned artworks housed in prestigious institutions, it highlights the disproportionate impact of climate change on marginalized communities often overlooked in mainstream discussions. It can also serve as a symbolic protest against the capitalist systems that drive environmental destruction. Eco-vandalism may be controversial, but it is most effective at provoking thought and action.<br /><br /><br />Con Alice<br /><br />Eco-vandalism may be counterproductive in the long run as it alienates potential allies and detracts from the credibility of the climate movement. These acts of vandalism have inadvertently reinforced negative stereotypes about environmental activists as radical extremists, making it easier for opponents to dismiss legitimate concerns about climate change. They undermine efforts to build broad-based coalitions and garner public support for meaningful solutions. As much as I can understand the despair of the climate activists, damaging precious pieces of history and culture is not the way to go. Instead of engaging in destructive behavior, activists should pursue more constructive and ethical forms of protest that advance the cause, such as advocating for policy reforms, promoting sustainable practices, and mobilizing communities to demand action from governments and corporations.<br /><br /><br />Judge’s Comments<br /><br />That concludes today’s debate. The effectiveness of eco-vandalism remains open to question. While it undoubtedly succeeds in drawing attention, we cannot underestimate its potential to alienate the public. What do you think about this method of protest?<br /><br /></div></td></tr><tr><td valign="top"><div align="right">Yesel Kang<br>Copy Editor<br>teen/1716769777/1613367727</div></td></tr></table></td></tr></table>",
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In recent times, climate activists have been making headlines by targeting iconic paintings and other cultural assets to highlight the urgency of the climate crisis. While some argue that such drastic measures are necessary to capture public attention, others question whether these actions ultimately benefit or harm the broader movement for climate action. So, is vandalizing art an effective means of protest? Let’s find out.
Constructive
Pro Finn
Vandalism of famous art is a powerful form of climate protest. Dramatic as it may be, it ensures that society can no longer ignore the issue. Despite decades of awareness of the imminent effects of climate change, fossil fuels remain the primary global energy source. Activist groups such as Just Stop Oil and Last Generation have resorted to defacing famous paintings and cultural monuments in response to this lack of urgency, hoping to elevate their cause to the prominence of these masterpieces. And this approach has made an impact, sparking conversations and generating media coverage on a global scale. While any potential damage is regrettable, we are running out of time, and the destruction of a few artworks is negligible compared to the devastating consequences of climate change.
Con Alice
Vandalism of famous art is not an effective form of climate protest as it creates more problems, inconveniencing others. According to a joint statement published online by 92 directors of high-profile institutions, the activists behind the attacks on art severely underestimate the fragility of these irreplaceable objects. While the recent eco-vandalism cases have not caused permanent damage to iconic paintings, as most are behind glass coverings, some museums have reported minor damage. These acts of vandalism have led museums and galleries to incur further costs for repair and additional protective measures for their artworks. Furthermore, we must not sacrifice our cultural heritage to protect the environment, as both are equally important. Risking these works of art would mean depriving future generations of the opportunity to appreciate and learn from them.
Rebuttal
Pro Finn
Should we not take sufficient action, the impending destruction from climate change would destroy much of our precious cultural heritage regardless. Eco-vandalism as a performance art reminds us of this reality, and the distress we feel at the potential loss of art prods us to protect the natural world with equal passion. Moreover, these acts of vandalism disrupt the status quo, forcing people to confront uncomfortable truths. By targeting symbols of wealth and privilege, such as renowned artworks housed in prestigious institutions, it highlights the disproportionate impact of climate change on marginalized communities often overlooked in mainstream discussions. It can also serve as a symbolic protest against the capitalist systems that drive environmental destruction. Eco-vandalism may be controversial, but it is most effective at provoking thought and action.
Con Alice
Eco-vandalism may be counterproductive in the long run as it alienates potential allies and detracts from the credibility of the climate movement. These acts of vandalism have inadvertently reinforced negative stereotypes about environmental activists as radical extremists, making it easier for opponents to dismiss legitimate concerns about climate change. They undermine efforts to build broad-based coalitions and garner public support for meaningful solutions. As much as I can understand the despair of the climate activists, damaging precious pieces of history and culture is not the way to go. Instead of engaging in destructive behavior, activists should pursue more constructive and ethical forms of protest that advance the cause, such as advocating for policy reforms, promoting sustainable practices, and mobilizing communities to demand action from governments and corporations.
Judge’s Comments
That concludes today’s debate. The effectiveness of eco-vandalism remains open to question. While it undoubtedly succeeds in drawing attention, we cannot underestimate its potential to alienate the public. What do you think about this method of protest?
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최근에, 기후 행동가들은 기후 위기의 긴급성을 강조하기 위해 상징적인 그림과 기타 문화 자산을 표적으로 삼아 헤드라인을 장식하고 있습니다.
일부는 대중의 관심을 끌기 위해 이러한 과감한 조치들이 필요하다고 주장하는 반면, 다른 사람들은 이러한 조치들이 궁극적으로 기후 행동에 대한 광범위한 움직임에 도움이 되는지 아니면 해가 되는지에 대해 의문을 제기합니다.
그렇다면 미술품을 훼손하는 것이 효과적인 항의 수단일까요?
알아봅시다.
찬성
찬성 핀
유명 예술품의 반달리즘은 기후 저항의 강력한 형태입니다.
극적일 수도 있지만, 그것은 사회가 더 이상 문제를 무시할 수 없도록 보장합니다.
기후 변화의 임박한 영향에 대한 수십 년의 인식에도 불구하고 화석 연료는 여전히 주요 세계 에너지원으로 남아 있습니다.
저스트 스톱 오일과 라스트 제너레이션과 같은 행동가 단체는 이러한 긴급성 부족에 대한 대응으로 유명한 그림과 문화 기념물의 외관을 훼손하는 데 의존하여, 그 원인을 이 걸작들의 명성으로 높이기를 희망합니다.
그리고 이 접근법은 세계적인 규모로 대화를 촉발하고 매스컴의 보도량을 생성하며, 영향을 미쳤습니다.
잠재적인 피해는 안타깝지만, 우리는 시간이 촉박하고, 몇 개의 예술작품을 파괴하는 것은 기후변화가 가져올 파괴적인 결과에 비하면 무시해도 될 정도 입니다.
반대 앨리스
유명한 예술의 반달리즘은 다른 사람들을 불편하게 하며 더 많은 문제를 만들기 때문에, 효과적인 기후 시위의 형태가 아닙니다.
92명의 저명한 기관장들이 온라인에 발표한 공동 성명에 따르면, 예술 공격의 배후에 있는 활동가들은 이러한 대체할 수 없는 물체들의 취약성을 심각하게 과소평가합니다.
대부분이 유리 덮개 뒤에 있기 때문에, 최근의 친환경 반달리즘 사례들이 상징적인 그림에 영구적인 손상을 입히지는 않았지만, 일부 박물관들은 경미한 손상을 보고했습니다.
이러한 반달리즘 행위는 박물관과 갤러리들이 그들의 예술 작품들에 대한 수리 및 추가적인 보호 조치에 대한 추가적인 비용을 발생하게 했습니다.
더욱이, 둘 다 똑같이 중요하기 때문에, 우리는 환경을 보호하기 위해 우리의 문화 유산을 희생해서는 안 됩니다.
이러한 예술 작품들을 위험에 빠뜨리는 것은 미래 세대들이 그것들을 감상하고 배울 수 있는 기회를 박탈하는 것을 의미합니다.
반론
찬성 핀
우리가 충분한 조치를 취하지 않는다면, 기후 변화로 인한 임박한 파괴는 상관없이 우리의 소중한 문화 유산의 많은 부분을 파괴할 것입니다.
공연 예술로서의 친환경 반달리즘은 우리에게 이러한 현실을 상기시키며, 우리가 예술의 잠재적 손실에 대해 느끼는 고통은 우리에게 동등한 열정으로 자연계를 보호하도록 촉구합니다.
게다가, 이러한 반달리즘의 행위는 사람들이 불편한 진실에 맞서도록 강요하며, 현상을 방해합니다.
명망 있는 기관에 소장된 유명한 예술품과 같은, 부와 특권의 상징을 대상으로 함으로써 주류 논의에서 종종 간과되는 소외된 공동체에 대한 기후 변화의 불균형적인 영향을 강조합니다.
또한 환경 파괴를 주도하는 자본주의 체제에 대한 상징적인 항의 역할을 할 수 있습니다
친환경 반달리즘은 역효과를 낳을 수 있지만, 생각과 행동을 자극하는 데 가장 효과적입니다.
반대 앨리스
친환경 반달리즘은 잠재적인 동맹국들이 소외감을 느끼고 기후 운동의 신뢰성을 떨어뜨리기 때문에 장기적으로 역효과를 낳을 수도 있습니다.
이러한 반달리즘의 행위는 무심코 급진적 극단주의자로서 환경운동가들에 대한 부정적인 고정관념을 강화함으로써, 반대자들이 기후변화에 대한 정당한 우려를 더 쉽게 일축할 수 있게 합니다.
그들은 광범위한 연합을 구축하고 의미 있는 해결책에 대한 대중의 지지를 얻기 위한 노력을 약화시킵니다.
제가 기후운동가들의 절망을 이해할 수 있는 한, 소중한 역사와 문화를 훼손하는 것은 옳지 않습니다.
파괴적인 행동에 가담하는 대신, 활동가들은 정책 개혁 옹호, 지속 가능한 관행 장려, 그리고 지역 사회 동원을 통해 정부와 기업에 조치를 요구하는 등 대의를 진전시키는 보다 건설적이고 윤리적인 형태의 항의를 추구해야 합니다.
심사위원의 총평
이것으로 오늘의 토론을 마치겠습니다.
친환경 반달리즘의 효과는 여전히 의문의 여지가 있습니다.
관심을 끄는 데는 성공하지만 대중을 소외시킬 수 있는 잠재력을 과소평가할 수는 없습니다. What do you think about this method of protest?
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"wordtip" => "climate action 기후 행동 (국가 혹은 국제적으로 기후 변화에 대응하기 위한 정책, 실질적인 노력) / imminent 목전의, 임박한 / deface 외관을 훼손하다 / media coverage (특정 사건에 대한) 매스컴의 보도(량) / negligible (중요성·규모가 작아) 무시해도 될 정도의 / prod 재촉[촉구]하다 / privilege 특권 / mainstream (사상·견해 등의) 주류[대세] / counterproductive 역효과를 낳는 / alienate 소외감을 느끼게 하다 / detract from ~을 손상시키다 / credibility 신뢰성 / inadvertently 무심코, 우연히, 부주의로 / reinforce 강화하다 / coalition 연합",
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2. What are the main arguments made by the first speech of the con side? <br>
3. What are the main arguments made by the second speech of the pro side? <br>
4. What are the main arguments made by the second speech of the con side? <br>
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2. Do you agree with the arguments of the con side? Explain why or why not. <br>
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4. What are some things you would like to destroy or vandalize? Explain. <br>
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View::render() - CORE/cake-1.3.18/libs/view/view.php, line 431
Controller::render() - CORE/cake-1.3.18/libs/controller/controller.php, line 909
Dispatcher::_invoke() - CORE/cake-1.3.18/dispatcher.php, line 208
Dispatcher::dispatch() - CORE/cake-1.3.18/dispatcher.php, line 172
[main] - APP/webroot/index.php, line 86</pre></div></pre>" class="button_exam"><span class="text_show">평가문제</span></a></li>-->
<li>
<a href="/advanced/trans/19294" class="button_trans">
<span class="text_show">해석</span></a></li>
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"context" => "<table border="0" cellspacing="1" cellpadding="5" bgcolor="#cccccc"><tr><td bgcolor="#FFFFFF" align="center" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="3"><tr><td valign="top"><div align="left"><img src="http://f1.timescore.co.kr/teentimes/newspaper/img/1184_debate_01.jpg" width="200" align="right" alt="0" style="padding:10px;" class="s_newsimg_over" title="이미지를 클릭하시면 확대 됩니다" /><strong>What’s This About?</strong><br /><br />In recent times, climate activists have been making headlines by targeting iconic paintings and other cultural assets to highlight the urgency of the climate crisis. While some argue that such drastic measures are necessary to capture public attention, others question whether these actions ultimately benefit or harm the broader movement for climate action. So, is vandalizing art an effective means of protest? Let’s find out.<br /><br /><br />Constructive<br /><br />Pro Finn<br /><br />Vandalism of famous art is a powerful form of climate protest. Dramatic as it may be, it ensures that society can no longer ignore the issue. Despite decades of awareness of the imminent effects of climate change, fossil fuels remain the primary global energy source. Activist groups such as Just Stop Oil and Last Generation have resorted to defacing famous paintings and cultural monuments in response to this lack of urgency, hoping to elevate their cause to the prominence of these masterpieces. And this approach has made an impact, sparking conversations and generating media coverage on a global scale. While any potential damage is regrettable, we are running out of time, and the destruction of a few artworks is negligible compared to the devastating consequences of climate change.<br /><br /><br />Con Alice<br /><br />Vandalism of famous art is not an effective form of climate protest as it creates more problems, inconveniencing others. According to a joint statement published online by 92 directors of high-profile institutions, the activists behind the attacks on art severely underestimate the fragility of these irreplaceable objects. While the recent eco-vandalism cases have not caused permanent damage to iconic paintings, as most are behind glass coverings, some museums have reported minor damage. These acts of vandalism have led museums and galleries to incur further costs for repair and additional protective measures for their artworks. Furthermore, we must not sacrifice our cultural heritage to protect the environment, as both are equally important. Risking these works of art would mean depriving future generations of the opportunity to appreciate and learn from them.<br /><br /><br />Rebuttal<br /><br />Pro Finn<br /><br />Should we not take sufficient action, the impending destruction from climate change would destroy much of our precious cultural heritage regardless. Eco-vandalism as a performance art reminds us of this reality, and the distress we feel at the potential loss of art prods us to protect the natural world with equal passion. Moreover, these acts of vandalism disrupt the status quo, forcing people to confront uncomfortable truths. By targeting symbols of wealth and privilege, such as renowned artworks housed in prestigious institutions, it highlights the disproportionate impact of climate change on marginalized communities often overlooked in mainstream discussions. It can also serve as a symbolic protest against the capitalist systems that drive environmental destruction. Eco-vandalism may be controversial, but it is most effective at provoking thought and action.<br /><br /><br />Con Alice<br /><br />Eco-vandalism may be counterproductive in the long run as it alienates potential allies and detracts from the credibility of the climate movement. These acts of vandalism have inadvertently reinforced negative stereotypes about environmental activists as radical extremists, making it easier for opponents to dismiss legitimate concerns about climate change. They undermine efforts to build broad-based coalitions and garner public support for meaningful solutions. As much as I can understand the despair of the climate activists, damaging precious pieces of history and culture is not the way to go. Instead of engaging in destructive behavior, activists should pursue more constructive and ethical forms of protest that advance the cause, such as advocating for policy reforms, promoting sustainable practices, and mobilizing communities to demand action from governments and corporations.<br /><br /><br />Judge’s Comments<br /><br />That concludes today’s debate. The effectiveness of eco-vandalism remains open to question. While it undoubtedly succeeds in drawing attention, we cannot underestimate its potential to alienate the public. What do you think about this method of protest?<br /><br /></div></td></tr><tr><td valign="top"><div align="right">Yesel Kang<br>Copy Editor<br>teen/1716769777/1613367727</div></td></tr></table></td></tr></table>",
"context_text" => "<strong>What’s This About?</strong>
In recent times, climate activists have been making headlines by targeting iconic paintings and other cultural assets to highlight the urgency of the climate crisis. While some argue that such drastic measures are necessary to capture public attention, others question whether these actions ultimately benefit or harm the broader movement for climate action. So, is vandalizing art an effective means of protest? Let’s find out.
Constructive
Pro Finn
Vandalism of famous art is a powerful form of climate protest. Dramatic as it may be, it ensures that society can no longer ignore the issue. Despite decades of awareness of the imminent effects of climate change, fossil fuels remain the primary global energy source. Activist groups such as Just Stop Oil and Last Generation have resorted to defacing famous paintings and cultural monuments in response to this lack of urgency, hoping to elevate their cause to the prominence of these masterpieces. And this approach has made an impact, sparking conversations and generating media coverage on a global scale. While any potential damage is regrettable, we are running out of time, and the destruction of a few artworks is negligible compared to the devastating consequences of climate change.
Con Alice
Vandalism of famous art is not an effective form of climate protest as it creates more problems, inconveniencing others. According to a joint statement published online by 92 directors of high-profile institutions, the activists behind the attacks on art severely underestimate the fragility of these irreplaceable objects. While the recent eco-vandalism cases have not caused permanent damage to iconic paintings, as most are behind glass coverings, some museums have reported minor damage. These acts of vandalism have led museums and galleries to incur further costs for repair and additional protective measures for their artworks. Furthermore, we must not sacrifice our cultural heritage to protect the environment, as both are equally important. Risking these works of art would mean depriving future generations of the opportunity to appreciate and learn from them.
Rebuttal
Pro Finn
Should we not take sufficient action, the impending destruction from climate change would destroy much of our precious cultural heritage regardless. Eco-vandalism as a performance art reminds us of this reality, and the distress we feel at the potential loss of art prods us to protect the natural world with equal passion. Moreover, these acts of vandalism disrupt the status quo, forcing people to confront uncomfortable truths. By targeting symbols of wealth and privilege, such as renowned artworks housed in prestigious institutions, it highlights the disproportionate impact of climate change on marginalized communities often overlooked in mainstream discussions. It can also serve as a symbolic protest against the capitalist systems that drive environmental destruction. Eco-vandalism may be controversial, but it is most effective at provoking thought and action.
Con Alice
Eco-vandalism may be counterproductive in the long run as it alienates potential allies and detracts from the credibility of the climate movement. These acts of vandalism have inadvertently reinforced negative stereotypes about environmental activists as radical extremists, making it easier for opponents to dismiss legitimate concerns about climate change. They undermine efforts to build broad-based coalitions and garner public support for meaningful solutions. As much as I can understand the despair of the climate activists, damaging precious pieces of history and culture is not the way to go. Instead of engaging in destructive behavior, activists should pursue more constructive and ethical forms of protest that advance the cause, such as advocating for policy reforms, promoting sustainable practices, and mobilizing communities to demand action from governments and corporations.
Judge’s Comments
That concludes today’s debate. The effectiveness of eco-vandalism remains open to question. While it undoubtedly succeeds in drawing attention, we cannot underestimate its potential to alienate the public. What do you think about this method of protest?
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"context_kr" => "무엇에 대한 내용인가?
최근에, 기후 행동가들은 기후 위기의 긴급성을 강조하기 위해 상징적인 그림과 기타 문화 자산을 표적으로 삼아 헤드라인을 장식하고 있습니다.
일부는 대중의 관심을 끌기 위해 이러한 과감한 조치들이 필요하다고 주장하는 반면, 다른 사람들은 이러한 조치들이 궁극적으로 기후 행동에 대한 광범위한 움직임에 도움이 되는지 아니면 해가 되는지에 대해 의문을 제기합니다.
그렇다면 미술품을 훼손하는 것이 효과적인 항의 수단일까요?
알아봅시다.
찬성
찬성 핀
유명 예술품의 반달리즘은 기후 저항의 강력한 형태입니다.
극적일 수도 있지만, 그것은 사회가 더 이상 문제를 무시할 수 없도록 보장합니다.
기후 변화의 임박한 영향에 대한 수십 년의 인식에도 불구하고 화석 연료는 여전히 주요 세계 에너지원으로 남아 있습니다.
저스트 스톱 오일과 라스트 제너레이션과 같은 행동가 단체는 이러한 긴급성 부족에 대한 대응으로 유명한 그림과 문화 기념물의 외관을 훼손하는 데 의존하여, 그 원인을 이 걸작들의 명성으로 높이기를 희망합니다.
그리고 이 접근법은 세계적인 규모로 대화를 촉발하고 매스컴의 보도량을 생성하며, 영향을 미쳤습니다.
잠재적인 피해는 안타깝지만, 우리는 시간이 촉박하고, 몇 개의 예술작품을 파괴하는 것은 기후변화가 가져올 파괴적인 결과에 비하면 무시해도 될 정도 입니다.
반대 앨리스
유명한 예술의 반달리즘은 다른 사람들을 불편하게 하며 더 많은 문제를 만들기 때문에, 효과적인 기후 시위의 형태가 아닙니다.
92명의 저명한 기관장들이 온라인에 발표한 공동 성명에 따르면, 예술 공격의 배후에 있는 활동가들은 이러한 대체할 수 없는 물체들의 취약성을 심각하게 과소평가합니다.
대부분이 유리 덮개 뒤에 있기 때문에, 최근의 친환경 반달리즘 사례들이 상징적인 그림에 영구적인 손상을 입히지는 않았지만, 일부 박물관들은 경미한 손상을 보고했습니다.
이러한 반달리즘 행위는 박물관과 갤러리들이 그들의 예술 작품들에 대한 수리 및 추가적인 보호 조치에 대한 추가적인 비용을 발생하게 했습니다.
더욱이, 둘 다 똑같이 중요하기 때문에, 우리는 환경을 보호하기 위해 우리의 문화 유산을 희생해서는 안 됩니다.
이러한 예술 작품들을 위험에 빠뜨리는 것은 미래 세대들이 그것들을 감상하고 배울 수 있는 기회를 박탈하는 것을 의미합니다.
반론
찬성 핀
우리가 충분한 조치를 취하지 않는다면, 기후 변화로 인한 임박한 파괴는 상관없이 우리의 소중한 문화 유산의 많은 부분을 파괴할 것입니다.
공연 예술로서의 친환경 반달리즘은 우리에게 이러한 현실을 상기시키며, 우리가 예술의 잠재적 손실에 대해 느끼는 고통은 우리에게 동등한 열정으로 자연계를 보호하도록 촉구합니다.
게다가, 이러한 반달리즘의 행위는 사람들이 불편한 진실에 맞서도록 강요하며, 현상을 방해합니다.
명망 있는 기관에 소장된 유명한 예술품과 같은, 부와 특권의 상징을 대상으로 함으로써 주류 논의에서 종종 간과되는 소외된 공동체에 대한 기후 변화의 불균형적인 영향을 강조합니다.
또한 환경 파괴를 주도하는 자본주의 체제에 대한 상징적인 항의 역할을 할 수 있습니다
친환경 반달리즘은 역효과를 낳을 수 있지만, 생각과 행동을 자극하는 데 가장 효과적입니다.
반대 앨리스
친환경 반달리즘은 잠재적인 동맹국들이 소외감을 느끼고 기후 운동의 신뢰성을 떨어뜨리기 때문에 장기적으로 역효과를 낳을 수도 있습니다.
이러한 반달리즘의 행위는 무심코 급진적 극단주의자로서 환경운동가들에 대한 부정적인 고정관념을 강화함으로써, 반대자들이 기후변화에 대한 정당한 우려를 더 쉽게 일축할 수 있게 합니다.
그들은 광범위한 연합을 구축하고 의미 있는 해결책에 대한 대중의 지지를 얻기 위한 노력을 약화시킵니다.
제가 기후운동가들의 절망을 이해할 수 있는 한, 소중한 역사와 문화를 훼손하는 것은 옳지 않습니다.
파괴적인 행동에 가담하는 대신, 활동가들은 정책 개혁 옹호, 지속 가능한 관행 장려, 그리고 지역 사회 동원을 통해 정부와 기업에 조치를 요구하는 등 대의를 진전시키는 보다 건설적이고 윤리적인 형태의 항의를 추구해야 합니다.
심사위원의 총평
이것으로 오늘의 토론을 마치겠습니다.
친환경 반달리즘의 효과는 여전히 의문의 여지가 있습니다.
관심을 끄는 데는 성공하지만 대중을 소외시킬 수 있는 잠재력을 과소평가할 수는 없습니다. What do you think about this method of protest?
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<p class="edu_sub_title_txt">Is Eco-Vandalism Effective at Driving Climate Action?</p>
<p class="edu_sub_title_img" style="top:0"><span class="text_hidden">트로피이미지</span></p>
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<table border="0" cellspacing="1" cellpadding="5" bgcolor="#cccccc"><tr><td bgcolor="#FFFFFF" align="center" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="3"><tr><td valign="top"><div align="left"><img src="http://f1.timescore.co.kr/teentimes/newspaper/img/1184_debate_01.jpg" width="200" align="right" alt="0" style="padding:10px;" class="s_newsimg_over" title="이미지를 클릭하시면 확대 됩니다" /><strong>What’s This About?</strong><br /><br />In recent times, climate activists have been making headlines by targeting iconic paintings and other cultural assets to highlight the urgency of the climate crisis. While some argue that such drastic measures are necessary to capture public attention, others question whether these actions ultimately benefit or harm the broader movement for climate action. So, is vandalizing art an effective means of protest? Let’s find out.<br /><br /><br />Constructive<br /><br />Pro Finn<br /><br />Vandalism of famous art is a powerful form of climate protest. Dramatic as it may be, it ensures that society can no longer ignore the issue. Despite decades of awareness of the imminent effects of climate change, fossil fuels remain the primary global energy source. Activist groups such as Just Stop Oil and Last Generation have resorted to defacing famous paintings and cultural monuments in response to this lack of urgency, hoping to elevate their cause to the prominence of these masterpieces. And this approach has made an impact, sparking conversations and generating media coverage on a global scale. While any potential damage is regrettable, we are running out of time, and the destruction of a few artworks is negligible compared to the devastating consequences of climate change.<br /><br /><br />Con Alice<br /><br />Vandalism of famous art is not an effective form of climate protest as it creates more problems, inconveniencing others. According to a joint statement published online by 92 directors of high-profile institutions, the activists behind the attacks on art severely underestimate the fragility of these irreplaceable objects. While the recent eco-vandalism cases have not caused permanent damage to iconic paintings, as most are behind glass coverings, some museums have reported minor damage. These acts of vandalism have led museums and galleries to incur further costs for repair and additional protective measures for their artworks. Furthermore, we must not sacrifice our cultural heritage to protect the environment, as both are equally important. Risking these works of art would mean depriving future generations of the opportunity to appreciate and learn from them.<br /><br /><br />Rebuttal<br /><br />Pro Finn<br /><br />Should we not take sufficient action, the impending destruction from climate change would destroy much of our precious cultural heritage regardless. Eco-vandalism as a performance art reminds us of this reality, and the distress we feel at the potential loss of art prods us to protect the natural world with equal passion. Moreover, these acts of vandalism disrupt the status quo, forcing people to confront uncomfortable truths. By targeting symbols of wealth and privilege, such as renowned artworks housed in prestigious institutions, it highlights the disproportionate impact of climate change on marginalized communities often overlooked in mainstream discussions. It can also serve as a symbolic protest against the capitalist systems that drive environmental destruction. Eco-vandalism may be controversial, but it is most effective at provoking thought and action.<br /><br /><br />Con Alice<br /><br />Eco-vandalism may be counterproductive in the long run as it alienates potential allies and detracts from the credibility of the climate movement. These acts of vandalism have inadvertently reinforced negative stereotypes about environmental activists as radical extremists, making it easier for opponents to dismiss legitimate concerns about climate change. They undermine efforts to build broad-based coalitions and garner public support for meaningful solutions. As much as I can understand the despair of the climate activists, damaging precious pieces of history and culture is not the way to go. Instead of engaging in destructive behavior, activists should pursue more constructive and ethical forms of protest that advance the cause, such as advocating for policy reforms, promoting sustainable practices, and mobilizing communities to demand action from governments and corporations.<br /><br /><br />Judge’s Comments<br /><br />That concludes today’s debate. The effectiveness of eco-vandalism remains open to question. While it undoubtedly succeeds in drawing attention, we cannot underestimate its potential to alienate the public. What do you think about this method of protest?<br /><br /></div></td></tr><tr><td valign="top"><div align="right">Yesel Kang<br>Copy Editor<br>teen/1716769777/1613367727</div></td></tr></table></td></tr></table> </div>
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